Analogue Productions SACDs

Issue solder SACD players is probably a LICENSING THING and less frequently a LASER thing. 

You repeat without any qualification that the Redbook layer is

very likely to sound better on a decent CD player or transport and DAC than the SACD layer will on a universal player that supports SACD

In my experience that is completely untrue.  My evidence is that I could tell that my Reavon universal player had obvious problems with its TI Burr Brown DACs - it was down converting DSD to CD quality and it was so obvious I wrote to Reavon seeking clarification.  My previous Marantz universal player sounded wonderful on SACD.

The fact that you haven't experienced this with your awesome player designed for "The best possible picture and sound technologies for an incredible home cinema experience" doesn't make it untrue. 

I have experienced it, and what I'm sharing is actual listening experience, not hypothetical ramblings.  

I have heard incredible sounding Redbook CD playback in my system and at least two others (one with Jay's Audio transport/DAC and one with a nice Ayre CD player).  That's not to say that the same disc as an SACD wouldn't sound any better, only that many people are not aware of the potential of CDs to provide excellent sound quality. 

I am primarily a vinyl guy myself, but it's been great to be able to pick up CDs for 3 or 4 bucks and have them sound fantastic.  I also have a relatively small collection of SACDs and some of them are amazing.  

@goofyfoot 

 I can see the argument for buying an SACD player since there are more options on disc form but they’re expensive

Your DAC already has DSD capability, so all you really need is something that acts as an SACD transport, that is to say, no analogue output is needed.  Sony make a universal disk player, the UBP-X700U, which you can probably buy new for under US$200.  That’s right, only two zeros.

It only outputs over HDMI - one is dedicated for audio.  So if your DAC accepts HDMI natively (not I2S using an HDMI cable) that’s all you really need.

This transport is not built like a tank, but it supports Blu-Ray up to 4K, SACD, DVD and CD.  Apart from SACD, it supports other high resolution audio formats including Pure Audio Blu-Ray and Dolby Atmos.

If you are into classical music or jazz, Presto Music | All things musical… on your doorstep has over 6,000 new SACD titles listed.  They also have a streaming service which offers downloads at no extra charge.

By the way, DSD on SACD takes samples 64 times more often that CDs, so it is often written DSD64.  You DAC does even better at DSD256 while your transport is probably DSD128 capable.  But for SACD you only need DSD64.

@big_greg 

many people are not aware of the potential of CDs to provide excellent sound quality. 

I am primarily a vinyl guy myself

Good to see a vinyl enthusiast embracing CDs.  Around the time CDs were released (1982) I found myself in the UK and popped into the Quad factory, to be greeted by the legendary Peter Walker himself. I asked what he thought of the new medium and he said "It is fantastic".  He had no axe to grind, as at that time Quad only made amplifiers and speakers targeted towards classical music listeners.

On my way back to Australia, I acquired Quad pre- and power amplifiers, Quad ESL-63 speakers and a Philips CD player, plus a Garrard 301 turntable with SME arm and Shure V15 cartridge that my dad gave me.  I stopped buying new vinyl until last year when I found out how much the Garrard sells for secondhand.  I naturally transitioned to SACD over 20 years ago when Gramophone magazine provided its reviewers with Marantz universal disk players, so I bought one.

Later I found out that almost all vinyl over the last 20 years has been digitally mastered anyway.  If I was not mainly interested in classical, my journey would have been very different.

Later I found out that almost all vinyl over the last 20 years has been digitally mastered anyway.

I think a lot of people don't realize that.  I often question my sanity for continuing to buy vinyl when streaming and CDs sound so good and take up so much less space, especially considering that many vinyl records were recorded and/or mastered digitally. 

There seems to be a lot of issues with quality control in today's vinyl manufacturing process.  Many new records that I buy have issues with surface noise, non-fill, warps, etc.

However, there's something about the ritual of playing vinyl for me that transcends digital playback, so I keep doing it.  When the vinyl is done right, it can sound really spectacular.