“……….no genre boundaries”.
No matter the genre, sometimes a performance is so locked in and with such strong collective sense of purpose that it brings a different meaning to “spiritual”:
Let's talk music, no genre boundaries
This is an offshoot of the jazz thread. I and others found that we could not talk about jazz without discussing other musical genres, as well as the philosophy of music. So, this is a thread in which people can suggest good music of all genres, and spout off your feelings about music itself.
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Yes. People get locked into other endeavors also. A pitcher pitches a perfect game. A basketball player scores 40+ points. When I was teaching poetry, that was the hardest thing to teach. How to get locked into a poem so that you're no longer thinking. Kobe Bryant said to Pau Gasol, "You're the best center in the world. Stop thinking and shoot." In music, it's the same thing, and musicians touring and playing every night probably don't get locked in all the time. Eddie Harris was during this recording, and you've reminded me that I have some Eddie Harris albums I haven't played in years. Tomorrow. My pleasure. |
A very lucid French jazz pianist about A.I. invasion of music... You can listen with auto-translate in English, "Ultimate danger of A.I., synthesis and predictions" : https://www.youtube.com/watch?v=f9Zc5z0IRrU
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I saw Les McCann in a small venue in the mid seventies. He was highly charismatic. I attribute this to his ability to embody both what could be called the sacred and the profane. Earthiness and soaring spirit. the body and the soul. Of course, one could say this about a host of Black artists who grew up in the church and then utilized their ability to channel a certain type of magnetism into songs that explored the dynamics of sexual relationships in a way that may cause us to question whether the spiritual and the physical are two sides of one coin rather than wildly divergent opposites, as they've been long portrayed by various religious traditions.
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Before Western religion dominated the west, the Greeks and probably others used to have Dionysian rituals which included music and sex. And now that you mention it, I think that is one of the problems I have with the "classical" period of classical music. It is too purified. I don't think the sexual aspect of music only came from Black churces. Later, of course, it was part of the blues. But if we look at the Scotch-Irish with their wild dancing, and I think they ifnluenced country music a lot. Klezmer music had some bawdy Groucho Marx type humor. And of course we can't forget Gypsy music with women throwing up their skirts as they danced Flamenco. A number of composers were influenced by Gypsy music, but after the 18th century. As we get into the 19th century with its romanticism, many folk traditions were drawn upon. Even a bit earlier, Haydn drew on folk traditions which included the sexual aspect. Here's a guitar concerto written by Rodrigo and played by Julian Bream. You might have heard it before. The second movement (I think) has the theme used in a very popular Miles Davis piece. |
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