How competitive are you with your system?

All you have to do is capture the audio at the listening position and make an audio recording, embedded in the video.

@carlos269 

Are you suggesting you capture audio then dub the video with it? I thought I’d ask, because I tried video-ing my system and the playback sounded like absolute trash, even played through the very same system. I just used the stock photo app on my Pixel. Apologies if this is an inane question.

@devinplombier I just talking about shooting a video from the listening position but the minute you say “video” everyone gets dismissive really quick so I refer to them as “audio recordings embedded in the video”, because that is exactly what they are.

@devinplombier Why do think or speculate that the system audio recordings of my systems and of others don’t sound like trash? What makes our simple videos/audio recordings different than yours or anyone else’s? I assume that you have a current cell phone, but you can also use an external microphone with it if you want to. the BelieveInHifi guy uses expensive high-end professional studio microphones and equipment to make his system videos and to be honest to me the better equipment doesn’t tell me much more than the iPhone videos he posts first for comparison. We will never be able to make all variables equals so recording devices do not need to be, and usually never are, the same. The only thing that is crucial is that the audio recording/video be captured/shot from the listening position, or otherwise all comparisons and assessments are off.

carlos269

Why do think or speculate that the system audio recordings of my systems and of others don’t sound like trash?

They don’t sound like trash to you because many people actually prefer the sound of compressed lossy files, which is what you get from YouTube, Spotify, and mp3s. And you are watching a video of the system as you listen, so confirmation bias creeps in. It's pretty simple.

@isellgoodgear 

@cleeds

If you make a recording, it should be true to the original direct transfer, regardless of what you are listening on.  This is your point of reference and you are not comparing it to ANYTHING else.  This is also what your recording should sound like.

So, it doesn’t really matter what you listen back on, as long as it is of good quality and "full range" so as to be able to capture the nuance of the original direct transfer.  In fact, you really want to be using nearfield monitors.