Most all DACs over say $250 sound "good". Some are better than others - duh! There are lots of engineering variables (quality of power supplies, analog output sections, etc.) involved for sure to meet price points. And generally, the higher up the food chain you go, the better the sound, at least incrementally (some say you notice it most in the attack and decay of sounds, how long they linger and how natural tones are). But we do live in great times. Compared to the old DACs inside CD players of the 1980s and A/V receivers of the 1990s, we have come a long way. The glass is more than half-full. We are lucky.
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Mostly agree with you and I am an analogue diehard. DACs released after about 2015 sound quite good with modern digital recordings. What still does not sound good even on modern DACs are early ADC conversion of analogue tape to digital. My music on pure analogue records pressed before 1980s (and many pure analogue records after 1980s but diminishing numbers) still sound way better than they do with modern DACs. I think a lot of that is due to immature ADCs used in the mass conversions of analogue tapes. here are some of the distortions that have been tackled by the latest gen of DACs.
1. Gain Riding (Gain Hopping / Segment Mismatch) 2. Glitch Energy 3. Differential Non-Linearity (DNL) 4. Integral Non-Linearity (INL) 5. Code-Dependent Switching Noise 6. Thermoelectric Distortion (Thermocouple Effects) 7. Mismatched Reference Loading 8. Clock Jitter (in Delta-Sigma & Oversampling DACs) 9. Power Supply Rejection Issues 10. Output Settling Errors |
Not only DACs, but also other components—such as streamers and cables. Dealers need to make a living and sustain their businesses. Many audiophiles have disposable income or retirement funds to support their hobby. There are those who may not be able to afford such gears, yet still make a fuss—several of whom are present in this forum. |
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