Does it have to sound good for you to like it?


I listen mainly to classical music.  The SQ of classical recordings is all over the place, not nearly as consistent other types of music.  Recording large orchestras is a complicated and difficult endeavor. Smaller ensembles are easier to record. So, if you listen to a great performance of an orchestral (or any) recording but have trouble with the sound will you avoid listening to it?

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@rok2id 

As a classical music lover, I too would take issue with the notion that it's "just the same music played over and over by different ensembles."  This is no more true of classical music than it is of any other genre.  It's rather like saying, "I've heard Jazz at the Pawnshop so who needs Louis Armstrong or Johnny Hodges?"  While it's certainly true that there are many fine classical performances available in excellent sound, as you point out, it's also true that some soloists, conductors and orchestras bring qualities to the music that others don't.  Zoltan Kocsis' Rachmaninov 3rd is very nice.  Horowitz and Ormandy playing the same music are positively electric and unforgettable.  Both are in nice sound, but it would be a grave mistake to put both performances in the same category on that basis alone.

@frogman

You got me! How could you not?
I’ve been conflicted for years on the subject.
What I’ve found is that listening for sound only (as I’ve often done) is a dead end. It can go just so far in fulfillment.
I continue to write these observations for my own edification, but also to provoke thought, so that others who are also conflicted may question their actual beliefs and come to some helpful conclusions to enhance their listening habits.

Well, I guess it was good to get all those opinions off your chest.  If only they had the least bit connection to what I actually said.

1. It's the same music.  All written down on paper.   Everyone plays the repertoire.

2. Don't presume what I meant.  I said what I meant.  A better 'recording' is always avaiulable.  Did not mention performance.

3. Beethoven would have made  a poor conductor.  The man was deaf.  With due respect to Mr. Schoenberg.  But all of the major ones made it to the modern age of recording tech.

One man's opinion:  This 'performance' thing in classical music has become a sort of snob thing.  Good and bad performances are like night and day.  Obvious to everyone.

Just to get on the same ground.  EVERYONE owns Beethoven's 9th.  Which is your favorite.  Mine are,  / Böhm Vienna(the slow one), Karajan-77, Gardiner(the fast one).  Yours?

Thanks for the response.

Cheers

@dogearedaudio:

 

As a classical music lover, I too would take issue with the notion that it's "just the same music played over and over by different ensembles." 

 

I meant they all play the Classical repertoire.  I did not mean to imply all performances were equal.

 

Cheers

As an old rock and roll boomer I mostly enjoy the music even though there are some so so recordings. There are some exceptions of CD's recorded so badly that they are unlistenable. I have a CD of the Who's Who's Next which I love the songs on that is so poor that I cringe if I try to listen to it. I have no idea how they screwed it up so badly. Some of the Dead's soundboard releases also grate on me even though I love the Dead's music because I have better recordings of the same tunes.

Of course what is best is well recorded and well played music. 

Jim S.