DSP? Does it really do that much???


I have a av processor and did all the testing in various positions which then took all this information and did something and yes it did change the sound overall to the room.

And then I looked under the hood to find out how my system changed and Ohiosaw that it refined distances between speakers and the volume levels. And then it did adjustments to my curve, and isn’t the curve just a glorified way to adjust the various frequency levels that you’d see on an equalizer? The user friendly version.

I mean the curve really was very comparable to what it was before I did DSP and I guess I could make manual changes to it. The only way you can really adjust things like an equalizer within your home theatre system

And then when I use DSP it all goes through a filter and that’s OK (maybe)for home theatre but for stereo listening it’s not a good thing.

All the other crazy quirky things this DSP supposedly does are so difficult to understand and I’m not sure what it accomplishes. The interfaces are not the greatest to use and then you have lots of signal errors which are annoying.

I just wish I understood whether it’s all that good a thing to do. Maybe if I had 15 speakers it may have value but just front and back and a sub and a centre can be easily adjusted by me.

emergingsoul

What actually happens to make it do what it does if it does much Beyond what tone controls do??

+1 @mapman 

DSP is incredibly beneficial to music reproduction when done right. Done wrong, it can destroy the experience entirely, and most users unfortunately don't learn its nuances well enough to do it right. Also, while DSP is a wonderfully powerful tuning tool, its computed adjustments are not necessarily the final word. Some manual final tweaking may be required.

Besides adjusting channel balance, frequency balance, speaker phase, and the virtual acoustic listening space, a DSP system with the Flux Capacitor circuit can transport you through time. 😉

So why do these dsp manufacturers make it so difficult to use their product. I have to test everything and then I have to load it to my AV processor. And if I don’t like it I gotta go back and adjust the curve and then reload it and see what happens.

It’s not the easiest to use even for people with computer knowledge.

Has anyone designed an interface that can allow you to adjust things on the fly without going through all the annoying processes to upload adjustments??

 

What actually happens to make it do what it does if it does much Beyond what tone controls do??

It’s all done in the digital signal processing domain so anything is possible from the equivalent of simple analog tone controls to sophisticated convolution filters.

Unfortunately the more powerful applications require some study to master though over time vendors are making things increasingly easy for lay users to leverage DSP effectively. An example would be a convolution filter for a specific headphone model that someone else created and all you have to do is download and apply the right file to make most any good quality headphone sound even better, based on data collected by experts on how how headphones work optimally to provide an improved listening experience.

 

DSP is definitely a topic worth reading up on and leaning about. IT can help make most any good quality equipment sound more like a reference standard or perhaps merely more the way you want it sound, in most any room, so it helps keep one off the costly and time consuming hifi equipment merry go round.  That's because  now you have pretty much total control over how things sound rather than be at the mercy of the gear chosen and the room it is playing in or headphones being listened to.

It’s just one very powerful feature of Roon for example that makes that product even more valuable to serious listeners.

@emergingsoul  DSP computations are complex and extensive. Still, the automated corrections are overall much simpler and quicker to perform than a manual approach, as well as more accurate (assuming you’ve done it right).

Sounds to me like you’re approaching it wrong by expecting DSP to produce an overall sonic experience that sounds best TO YOUR EAR on its own. But you are not alone. Almost everyone initially makes the same mistake of expecting DSP to automatically transform his/her system into "The Oracle of High Fidelity."

I suggest you just let the DSP circuitry do its thing, and then make whatever additional manual adjustments put the biggest smile on YOUR face downstream of those corrections.