New DAC Not a Dramatic Improvement?


Ok, So after much thought and asking questions here on audiogon as to whether I should get a new cdp or DAC, I decided on a DAC because I plan on implementing a music server with a Mac Mini. I got it last week and hooked it up so that I could do A/B comparisons with my cdp as is, and through the DAC. My cdp is a 1-2 year old Onkyo dv-sp405 dvd/cd player. At first I was impressed. The bass and vocals were more defined, and there seemed to be more space. Not a lot more space, but just a little bit more openess. The vocals were also moved forward in the soundstage and had more thickness. The thing is, none of these things were very dramatic. THe more time I have sat and listened and done comparisons on many cd's I find the results vary. On some cd's there is significant improvement, and on others, hardly noticeable. In a blind test, do I think I could reliably say whether I was listening to the cdp directly or through the DAC? Let's just say I wouldnt bet my life on it. I probably wouldnt even bet 20$ on it, unless I could hear the two back to back, and on some recordings, not even then.

Now I know about diminishing returns, but I would think the difference between a 150$ dvd/cdp and a 2K$ DAC would be pretty obvious. On top of that, My DAC is hooked up with Transparent Cables (MW Super) and my cdp with 50$ Monster Cables.

Continuing.. I expect some people with say that a good dac needs a good transport. Some will probably say that the dac is being held back by the onkyo as a transport. I have also compared the cdp through the DAC against apple lossless files played from my computer through USB. They are identical.

What could be the weak link? I do not want to say what DAC I am using but lets just say it is a very recent one and around 2K. It is from a very respected company and very well reviewed. My other gear is a McIntosh MA6450 integrated, gallo ref 3.1 speakers, transparent cables. Could it be that my amp is not very revealing? I am thinking about selling the DAC and getting a cheaper one (DAC MAGIC, PS AUDIO DL3) since I will need one for my Mac Mini anyway. Honestly, I just dont think I can justify having 2K in my current DAC for the minimal difference.

Thanks for any insight you can provide.
farjamed
Tvad: You mention that I need better amplification. No offense taken. That had actually crossed my mind and is why I asked in my original post if my amp was not revealing enough. I do not want to stray away from integrateds though as I have space requirements, and frankly, I dont want more pieces to be wondering/worrying about. I do however like what I have read about the Bel Canto REF 1000s, and are probably the only seperates I would consider. Other than that I was thinking the Bryston B100sst, Plinius 9100, or Mark Levinson No 383. I guess this is the start of another thread, but what do you think?

Chayro: I have been using some Sigur Ros, M. Ward, Fleet Foxes, and Radiohead cds. The M. Ward albums seem to be recorded especially well. I am trying to stick to newer stuff.
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one thing I haven't seen mentioned yet is the trick of taking out the component being 'auditioned' after about a month and see if you miss it.
The "hot" $2K DAC that comes to mind is the Bryston. If that's what you've got and you are not hearing a difference, I really am surprised as it's a stunningly good product IMO.

Steve says, "drive it with a low-jitter source. Not your CD player." Such as...?
Low jitter source:

Empirical Audio Off-Ramp Turbo3 w/ Superclock 4 and maxed out battery.