New speaker technology vs. Old speaker tech???


The following is an issue that many members may have encountered: that is, buying an old speaker (vintage 10-12 years old) vs buying a newer and more current technology created by better driver material and using for example a ribbon tweeter, vs traditional silk or aluminum tweeter.

A friend recently purchased a monitor made by Monitor Audio, GX-50 Gold series. which uses a ribbon tweeter. His other choice was a VonSchweikert VR-1, a two way small monitor hailed by many reviewer for its tight bass almost down to 40-45HZ.

I liked the Monitor Audio GX-50, but did not want to influence his final decision. However, the more I listened to them, they sounded somewhat bright and edgy on several "redbook" CD's. He liked VonSchweikert VR-1, they seemed to him more balanced and the bass had real punch. However, he opted for the MA's because he felt the newer technology overall would be more competitive in producing good and detailed sound

Like my friend, I have often get caught up by the technology of new speakers,and ignore what sounds better and satisfying regardless of the music The VR-1 are very good speakers, and usually don't last long on Audiogon when they come around for sale. However, sometimes a mystique emerges around a speaker because of its unexpected performance that elevates it beyond its spec.

Would like to get some input on this "dilemma", especially the reputation of Von Schweikert VR-1 for being "more than sum of its parts"

sunnyjim
ALL speaker drivers should use "ALNICO MAGNETS"!! I see that RYAN speakers makes their own speaker drivers....I wonder if they use ALNICO MAGNETS ?
Hi Bombaywalla,

It is good to be back. Working on many new things that have just come out. Hope you are well.

I thought a few folks might have posted their thoughts on my statements above, about how and why large audio manufacturers 'schedule' their new technology introductions. But at least these will be there for others who search out threads bearing this sort of title.

I wish to add that far too many audiophiles are distracted by technology or even totally fascinated by it. It completely occupies their minds, which contents them.

These same people always describe how much better their music 'sounds' by its increase in "clarity, impact, detail, soundstage, imaging, depth, dynamics, ..."

They never remark about how their favorite music changed for them, changed in what it meant to them, what it did to them, for them, where it took them, ...

Either they are insensitive to the subtleties of music (and not natural dancers) -OR- their systems/physical setups do not reveal HOW BEAUTIFULLY the world's best artists are playing just for them.

Ever have any thoughts along these lines?

Best,
Roy
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Royj- Yes, I share your sentiments. This audio hobby provides strong attraction for several rather extreme personality types. Uh, I guess this is a good time to admit that I am one of them. Getting past the hardware and technology is very difficult for some of those types. Thirty years ago, we split the audiophiles into two very general categories: 'Music Lovers' and 'Sound Buffs.' Luckily, I am much more of a music lover. My sound buff buddies have spent a fortune chasing the next 'change' in sound and many have gone full circle after paying a small fortune. They still do not love the music. But this hobby provides exactly what they seek.
Hifisoundguy: I thought I heard some Wharfedale WX0 vintage model, those are of alnico material? So they are the best of vintage? Wharfedale Airdale?
I wish to add that far too many audiophiles are distracted by technology or even totally fascinated by it. It completely occupies their minds, which contents them.

These same people always describe how much better their music 'sounds' by its increase in "clarity, impact, detail, soundstage, imaging, depth, dynamics, ..."

They never remark about how their favorite music changed for them, changed in what it meant to them, what it did to them, for them, where it took them, ...

Either they are insensitive to the subtleties of music (and not natural dancers) -OR- their systems/physical setups do not reveal HOW BEAUTIFULLY the world's best artists are playing just for them.

Ever have any thoughts along these lines?

Best,
Roy
Hi Royj, likewise good to see you back here & we eagerly await any new speaker releases that you might have.

yes, I have thoughts about this all the time. That's why I have been such an advocate of time-coherent speakers (& I think i might have convinced a few others that it's the only way to proceed for playback). And, that's why I've been off the hi-end gear merry go-round for a while now. For me, and I'm sure for many others as well, music has to be an emotional experience where the performers are "in the room" giving you a personal 1-1 live performance. I always liked that saying printed on Higher Octave Music CDs that goes like this "We believe there is a place that lives within us all. It is a place of vision and clarity where the rhythm of life moves in harmony with a higher consciousness. The purpose of our music is to take you there."