Deliberate1, you will find aftermarket cables, including power cords an "ear-opening" experience! Some Impressions of cable sets I have reviewed (you can find extensive descriptions of them on Dagogo.com) Note that this is a summary of working with a suite of one or two models of each of these brands, not entire line. However, the cables I have tested (both privately and with Dagogo.com) which I have worked with successively higher models of cable have been consistent with the manufacturer's house sound.
Jena Labs Jazz and Java - laid back, slightly smaller sound stage; not "in your face" (This was confirmed by Jena Whitewolf Crock stating that they voice the cables to their ideal of the Jazz club).
Tara Labs RSC Air Series - clean and neutral, but having what to my ears is a slightly compressed frequency range. i.e. slightly rolled off at far ends of treble and bass. Might be a consideration for those with single driver, high efficiency speakers.
Magnan Signature and Reference : Surprising wire; extremely forgiving of solid state electronics. Almost a tube-like sound from a cable. Still, very detailed.
MIT AVt MA and Z Stabilizer: "Power-cables" as in fiercely dynamic, makes music sound more like a close mic recording. Favors immediacy of the note from the instrument vs. the extension of soundstage. Do not overdo it with daisy-chained network (passive electronics) units in the cables & power conditioners or else clarity will suffer.
Wire World Equinox 5 Squared: Extremely well balanced in terms of tonality, frequency extension, clarity, etc. A high degree of precision and finesse. Due to their geometry they operate as a passive filter, negating the need for power conditioning. I agree that they sound much better without additional power conditioning.
(To brand loyalists: I'm not interested in debating/arguing my findings of these cables. My opinion is set based on months of usage with different systems. I'm expressing characteristics of these exact sets of cables, not giving them a yea/nay vote; I could put any of them into a high end rig achieving a particular goal and achieve excellent results.)
Jena Labs Jazz and Java - laid back, slightly smaller sound stage; not "in your face" (This was confirmed by Jena Whitewolf Crock stating that they voice the cables to their ideal of the Jazz club).
Tara Labs RSC Air Series - clean and neutral, but having what to my ears is a slightly compressed frequency range. i.e. slightly rolled off at far ends of treble and bass. Might be a consideration for those with single driver, high efficiency speakers.
Magnan Signature and Reference : Surprising wire; extremely forgiving of solid state electronics. Almost a tube-like sound from a cable. Still, very detailed.
MIT AVt MA and Z Stabilizer: "Power-cables" as in fiercely dynamic, makes music sound more like a close mic recording. Favors immediacy of the note from the instrument vs. the extension of soundstage. Do not overdo it with daisy-chained network (passive electronics) units in the cables & power conditioners or else clarity will suffer.
Wire World Equinox 5 Squared: Extremely well balanced in terms of tonality, frequency extension, clarity, etc. A high degree of precision and finesse. Due to their geometry they operate as a passive filter, negating the need for power conditioning. I agree that they sound much better without additional power conditioning.
(To brand loyalists: I'm not interested in debating/arguing my findings of these cables. My opinion is set based on months of usage with different systems. I'm expressing characteristics of these exact sets of cables, not giving them a yea/nay vote; I could put any of them into a high end rig achieving a particular goal and achieve excellent results.)