Paul Seydor does not listen to reference quality amps. His reference in his review is a Quad 909 and a all tube Zesto amp.....hardly a $200K pair of mono block Boulders or whatever. In order to claim something has zero sound you need to do a straight wire bypass test on it (yes,this is possible with a power amp....however, I know no one who has ever done it except my late friend Sieg Modes....and he did his testing in the late 70s). The Benchmark is not totally neutral....nothing is. Many do not hear the air, space, depth, harmonic rightness, palpable presence and micro detail they get from more expensive amps. For the money...it is really good. However, for even less money the Peachtree GaN 1 digital input class D amp is even better.....because it eliminates the DAC, analog cables, the preamp, normal amp and any feedback whatsoever from the signal path.......less is more. Volume control is done with your choice of lossless digital volume done in software.. Linear amps and analog signal paths are dead! he he. Unless they are Super expensive or tapes. Even tapes or records can be converted to 24/192 with great accuracy and sent to this amp. Of course, tubes and such are always going to be loved....coloration or not.
Everything is synergy. If the original recording is dry....lacking harmonic info....then adding a tube somewhere in the playback chain can make is sound more REAL....no doubt. But if the recording is fantastic and the medium delivering it is fanstastic then having a low distortion playback system will give you a lot of the joy of the original event.

