Musetec (LKS) MH-DA005 DAC
@jjss49 Whenever I go wine tasting in the Bay Area (Napa + Sonoma) I always ask for a straw.
I have a Topping D90LE in one of my systems and it produces a sound that bring me happiness. It was not about cost but more about synergy for this pairing. Schitt Jotenhueim | Topping D90LE | RAAL CA-1a + SR1a |
agreed that part is distasteful, but why harp on it? you can see via amir’s system, he is not an audiophile, he is a clever tech dude monetizing a niche, a circle of like minded folks with like minded blind spots - he can be a robin hood in his own mind with eager followers...lots of advice givers in the world with weak legs they stand on we are much more passionate about this pursuit, in our way, different from his, it should be water off a duck’s back, so to speak this isn’t to say that what becomes ’recommended’ by amir is necessarily bad... we all know that any piece of equipment fits into a chain, that chain has a certain level of musicality and resolving power, and of course, synergy matters ... much of it is just fine, just like my $15 zin serves its purpose for me well... interesting, just stumbled into this from john darko
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| Chinese manufacturers produce DACs that respond perfectly to poor Amir's tests By "Amir's tests", are you referring to fundamental tests of linearity, noise, and distortion that are staples of audio engineering? Do you think Mola Mola and Holo specifically produce DACs that "respond to Amir's tests" (they measured great)? | In the engineering field, the analysis of the variables involved in sound reproduction is very similar to those that occur in the presence of tubulence Are you trying to argue that perceived sound quality represents a complex interaction among many variables. Fine. In this case, a couple of those variables were found to be dysfunctional in single variable testing, Why combine them? | Who has Topping in his audio chain is probably a person who only pays attention savings so I don't expect it to have a high-end system alas ... Mine takes upsampled DSD256 from HQ player into an Ars Sonum integrated tube amp and Merlin speakers. I recognize this is not the highest end gear. Alas...
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I wrote "some Chinese producers" and I mentioned "Topping, SMSL and Gustard" I didn't talk about brands that produce serious DACs, which in fact are not reviewed by poor Amir, just in order not to generalize about Chinese production. the brands I mentioned have superb measurements in relation to a sound result not comparable (in default) with devices that have worse measurements. this happens because the measurements made are based exclusively on a few and insufficient parameters able to describe the physical phenomenon. these manufacturers know this and take advantage of it by building and designing their own devices just to respond to these measures. they don't care about the sound result, they noticed a big jump in sales following the publication of the results of the measurements, and that's enough to continue along this path that is not at all ethical. I repeat that it is very easy to compare the sound performance of these low-cost DACs compared to the more "famous" DACs, just listen to them on high-level systems. anyone can pick out the differences, you don't need sensitive ears like a calibration microphone ... the two free pavilions offered by mother nature are enough! |
up to now, based on all comparisons made on very high level systems (1.5-2 million dollars), the only "low cost" DAC that musically produces comparable results with DACs that cost 10 times more is the MUSETEC MH- DA005. those who can afford it can compare it with the NAGRA HD DAC X, with the dCS Vivaldi APEX DAC or with the Gryphon Audio Kalliope. then we will resend for the ratings. p.s .: the MUSETECH used for the subjective evaluation tests was included in a 100% Gryphon Audio chain as follows: Amplifier 2xApex Mono + Preamplifier Commander + Kodo loudspeaker |
