Do you fall on the side of the inviolability of subjective preference, or do you insist on objective facts in making your audio choices? Or is there some middle ground here that I’m failing to see?
Now i will answer to your asking question as OP...in very few words because you dont like my post it seems... 😊😊
Read about psycho-acoustic, and you will discover the middle ground position, the deeper one that you are failing to see and read Henri Bortoft books on Goethe if you want to understand Goethe and his link to the actual deep debates in psycho-acoustic science ...
Explaining it will be too long post to be appreciated here .... 😊😊😊😊
In simpler word: you cannot assess and describe a change in sound if you dont know what acoustical cues are and which acoustical factors are at play in the change...Electronical design measures so good they are to give us good basic gear are not enough to give us good sound...We need psycho-acoustic education and a mimimal controls over the system/room/ears related parameters...I called that listenings experiments...They implied objective measures and objective disposition of content in the room and subjective learning training experiments...
Speaking of "colors" without knowing what "timbre" is in psycho-acoustic, being an objectivist or a subjectivist nevermind which one, will not help....
Colors are not something deceptive, or the result of an unbalanced piece of gear added to a flat neutral more well designed other piece of gear, they are usual perceived phenomena called "timbre" perception in a room...The gear system is there, the more neutral possible, to acoustically translate the recorded acoustic information from the lived event to your uncontrolled or controlled room...

