Naim introduce a turntable - the Solstice Special Edition

@lewm  My bad Lewm, I was too busy flying rockets through the neighbors windows to worry about spelling. Actually, I am dyslexic which was blamed on a bicycle crash when I was 6 years old. My head hit a concrete curb and I was knocked unconscious. I woke up that night with my pediatrician Hyman Alford, MD banging on my knees with a reflex hammer. My mother says I was black and blue under both eyes. It is not the usual form of dyslexia. I can read, but I have a hard time remembering what I read. If I read a name I will never remember it but if someone tells me the name or I speak the name out loud then no problem.  I can enjoy reading a novel but I won't remember anything about it. I get much more out of TV documentaries or audio books. 
Without spell check I am worthless. I did fly rockets through the neighbors windows :-)

pani, define “belt drive-ish flow”.

A more continuous sound with not so sharp start-stop transients

@pani , define "not so sharp start-stop transients? Would that mean more Wow versus flutter? Or. maybe lack of same?

Audiophiles have developed some interesting way of describing what they think they hear, descriptors that have no definable parameters like pace and timing. Pace as an example is synonymous with speed which is supposed to be 33 1/3. Does this mean if a turntable has better "pace" it is running at 33 2/3? The music has timing not the turntable. There is a reason turntables sound like they do. We may not know the reason because it is hidden, more difficult to identify but it is there. The principle determinants of a turntable's sound are the cartridge and the tonearm. After them a turntable can inject noise (rumble), it can have speed fluctuations (wow + flutter) and any part can resonate or pass on environmental vibrations which will alter the system's frequency response. Theoretically all good turntables regardless of drive should sound exactly the same, like nothing, nothing at the right speed. They do not have pace and timing and they do not soften stop-start transients, whatever that means. 

@mijostyn, if everything about music reproduction was technically measurable then 

1. Almost all TTs should more or less similar
2. We would not need anything more than a Technics SL1200 for a near perfect music reproduction.

When we "audiophiles" say pace, it is not speed. A song measuring 183 secs will still end in 183 secs but we are talking about the way notes get formed and carry the flow. The agility of the notes, the leading edge sharpness, the body and decay, and the lead up into the next note, all forms the structure and flow of music. DD, BD & ID all have a certain characteristic way to joining the notes (due to the kind of distortion the drive brings to the platter). Whether technical measurements detects anomaly or not, our ears can very easily detect these differences.

Pani, it is exactly that kind of gibberish that I find particularly non sensical.
Stop trying to make up excuses for what you think you here. Just enjoy the music and comment on whether or not you like the sound. When you come with things like, "the leading edge sharpness, the body and decay, and the lead up to the next note, all forms the structure and the flow of the music." I want to puke. The structure and flow of the music is the sold responsibility of the artist not a bunch of tubes, wires, belts and paper cones. We "audiophiles"?? Please exclude me from that group