Why is there so much separation between the professional audio and audiophile worlds?


orgillian197
There is no "loss of fidelity" in digital processing. There may be intentional changing, i.e. fequency response , fade left or right essentially, but these are not losses of fidelity.  Short of two miles recording without any change with are almost non existent by your definition everything has a loss of fidelity. That is ridiculous and wrong.
noted that audiophiles are often proud of how much their systems cost; pro audio people, in contrast, are likely to brag about how cheaply they got their gear. There is overlap: mastering engineers with six-figure monitoring systems; audiophiles who harshly criticize high-end prices and insist that their inexpensive systems are just as good or better.

This is a lot of you here on Agon, pretentiousness is abound here. I lean toward the real value and quality.
a2d, You keep thinking that. What I find “ridiculous” (thanks, btw) is that someone who claims to be a “professional” in the field would think that. Not surprising. Explains a whole lot and why so many of today’s recordings sound overly processed and just plain bad. Go ahead and have the last word, I don’t enjoy our discussions.
When @mapman says " Pro is about getting the job done well within a budget." I think back to 1971-2 when I had a part time job at a recording studio in St. Louis which had the contract for Budweiser radio commercials.  The operation was "all business" and when the studio musicians would arrive in the morning, they'd be handled some sheet music, had the opportunity to practice for just a few minutes before they recorded about a half-dozen samples, sometimes at different speeds, then it was on to the next piece.

I remember reading how Jimi Hendrix would show up to the recording studio and want to jam and how the producer had to reign him in.
Even the best measurement microphones, unless digital out and internally calibrated must be externally calibrated, preferably digitally to be flat.  Most microphones are flat over a frequency range not everywhere and when you look off axis not at all.

Your concept of fidelity is based in lack of knowledge but you spew on about it none the less. I am sorry you don't enjoy being wrong but that is not my problem.