Why not objectivist music reviews?


"Objectivist" equipment reviews are gaining in popularity, enabling audiophiles to rest easy knowing that their preferred piece of equipment with SINAD of
 98 is _objectively_ better than one with SINAD of 97.5

Why not do the same for music?

I propose the following criteria for guitarists as an example:

1. Notes per second (NPS)--since speed is valued as a sign of mastery in an instrument, why shouldn't someone who plays faster be considered better than a slower player? (Goodbye, David Gilmour!) 

2. Mistakes Per Minute (MPM) - - accuracy counts!! You could say it is equivalent to jitter or THD+N in equipment. (and goodbye, Jerry Garcia!!)

3. Length of Leads (LOL)--If you're so good, why are your solos so short? This is a no-brainer (later, guitarists before 1966!)

Put these together, and there is only one rational conclusion:

JOE BONAMASSA IS THE GREATEST GUITARIST OF ALL TIME

Thoughts?

WW
wassaicwill
Post removed 
The greatest musician i listen to in the family of plucked string instrument is Master Ostad Elahi...

even Yehudi Menuhin said listening to him that it was the greatest musical experience in his life...

By the way it is a sufi master praying with his instrument, then he never give any concert.... He was recorded by his disciple behind the scene... It is the reason why the sound is only acceptable....

But it is one of the greatest master i listen to , he plays tanbur adapted by himself.... He was the greatest virtuoso of his country at 9 years old...and he was playing indifferently by right or left hand....His mystical teaching are deep and on par with his musical virtuosity... His music is very complex improvisation....

https://www.ostadradio.com/index.html#

 I know this thread is a joke but this may interest one people or 2.....
I appreciate Joe B, don’t get me wrong. But given your criteria, and a reliable scientific method for measurement, I would argue that Buckethead would score a higher cumulative grade. 
Faster Pussycat!  Faster!  Then there's the remark a young Mozart gets in Amadeus.  "Too many notes!"