Why do intelligent people deny audio differences?


In my years of audiophilia I have crossed swords with my brother many times regarding that which is real, and not real, in terms of differeces heard and imagined.
He holds a Masters Degree in Education, self taught himself regarding computers, enough to become the MIS Director for a school system, and early in life actually self taught himself to arrange music, from existing compositions, yet he denys that any differece exists in the 'sound' of cables--to clarify, he denies that anyone can hear a difference in an ABX comparison.
Recently I mentioned that I was considering buying a new Lexicon, when a friend told me about the Exemplar, a tube modified Dennon CD player of the highest repute, video wise, which is arguably one of the finest sounding players around.
When I told him of this, here was his response:
"Happily I have never heard a CD player with "grainy sound" and, you know me, I would never buy anything that I felt might be potentially degraded by or at least made unnecessarily complex and unreliable by adding tubes."

Here is the rub, when cd players frist came out, I owned a store, and was a vinyl devotee, as that's all there was, and he saw digital as the panacea for great change; "It is perfect, it's simply a perfect transfer, ones and zero's there is no margin for error," or words to that effect.
When I heard the first digital, I was appalled by its sterility and what "I" call 'grainy' sound. Think of the difference in cd now versus circa 1984. He, as you can read above resists the notion that this is a possibility.
We are at constant loggerheads as to what is real and imagined, regarding audio, with him on the 'if it hasn't been measured, there's no difference', side of the equation.
Of course I exaggerate, but just the other day he said, and this is virtually a quote, "Amplifiers above about a thousand dollars don't have ANY qualitative sound differences." Of course at the time I had Halcro sitting in my living room and was properly offended and indignant.
Sibling rivalry? That is the obvious here, but this really 'rubs my rhubarb', as Jack Nicholson said in Batman.
Unless I am delusional, there are gargantual differences, good and bad, in audio gear. Yet he steadfastly sticks to his 'touch it, taste it, feel it' dogma.
Am I losing it or is he just hard headed, (more than me)?
What, other than, "I only buy it for myself," is the answer to people like this? (OR maybe US, me and you other audio sickies out there who spend thousands on minute differences?
Let's hear both sides, and let the mud slinging begin!
lrsky
>>zip cord tends to roll-off the top end<<

LOL. If you call rolling off dipping at 20Khz by an amount that is most likely
inaudible. It is a joke to call that "coloration." This is misleading,
incomplete information. Give the real numbers over the audio band rather
than starting urban myths.
>>Nordost lacks warmth and tends to accent the upper midrange and treble region, making it just the opposite of heavy gauge zip cord.<<

Again, if Nordost accents the upper midrage and treble region, this should be easy to measure and quantify. Instead of throwing around this kind of verbiage, give the measurements and then we can see if Nordost is the "opposite" of Zip Cord over the audio band.
If someone wants to prove he/she can hear the difference between two power cords, the answer isn't to administer a test to the non-believer under the flawed premise that if the non-believer is honest, he/she will admit to hearing differences. The answer is for the BELIEVER to take a properly administered ABX test to prove that he/she can hear the differences he/she claims to hear. Otherwise, you've got the makings of a Monty Python sketch whereby if the non-believer fails to hear the difference, you claim victory by claiming the non-believer was not honest.
.

CROWD:

Burn her! Burn! Burn her!...

BEDEVERE:

Quiet! Quiet! Quiet! Quiet! There are ways of telling whether she is a witch.

VILLAGER #1:

What are they?

CROWD:

Tell us! Tell us!...

BEDEVERE:

Tell me. What do you do with witches?

CROWD:

Burn them!

BEDEVERE:

And what do you burn apart from witches?

VILLAGER #2:

Wood!

BEDEVERE:

So, why do witches burn?

[pause]

VILLAGER #3:

B--... 'cause they're made of... wood?

BEDEVERE:

Good!

CROWD:

Oh, yeah. Oh.

BEDEVERE:

So, how do we tell whether she is made of wood?

VILLAGER #1:

Build a bridge out of her.

BEDEVERE:

Ah, but can you not also make bridges out of stone?

VILLAGER #1:

Oh, yeah.

BEDEVERE:

Does wood sink in water?

VILLAGER #1:

No. No.

VILLAGER #2:

No, it floats! It floats!

CROWD:

The pond! Throw her into the pond!

BEDEVERE:

What also floats in water?

VILLAGER #1:

Bread!

VILLAGER #2:

Apples!

VILLAGER #3:

Uh, very small rocks!

VILLAGER #2:

Uh, gra-- gravy!

ARTHUR:

A duck!

CROWD:

Oooh.

BEDEVERE:

Exactly. So, logically...

VILLAGER #1:

If... she... weighs... the same as a duck... she's made of wood.

BEDEVERE:

And therefore?

VILLAGER #2:

A witch!

CROWD:

A witch!!!

.
The fact remains that high-end audio is not for the masses. This fact is substantiated by the incredible growth and interest in MP3. The average person is happy with this level of performance. I believe that most people do hear the difference when subjected to good equipment. For whatever reason, most have little interest or it is of low priority. Unfortunately, the acceptance of mediocrity drives the retail market which in turn, gives us our source material. There is a growing concern that the MP3 format will eventually replace conventional CD's. SCARY! Even as audiophiles, we accept mediocrity in this area. As an audiophile community, are we really doing anything to advance the production of SACD's or better sounding CDs? The masses have at least one thing right....they don't have a separate collection of CD's that only sound good in the car.:-)