2020 update : JC Verdier La Platine


A recent encounter with a JC Verdier dealer as well as a recent Audiogon discussion thread led to the start of this thread. He was in my house updating my La Platine which had been in storage for ten years with thread and oil. While he has high regards for the deck, his newer clients nevertheless prefer a Techdas iii than an 'old' La Platine. Given the proliferation of expensive decks in the past dozen years, La Platine has become very much under-appreciated. 

It's clear to me that the influence of the La Platine is everywhere to be found. Specifically, the magnetic suspension system that was employed 30+ years ago. Even SOTA offers their newer decks with mag. lev. features. And if you read this review: https://www.callas-audio.nl/Callas%20Platine%20Mod%20Kit%20Review.pdf, the Continuum Caliburn uses the same concept, which was not acknowledged in Fremer's review, albeit with more sophisticated , and expensive, execution.

It is also clear to me that there is much misunderstanding of the workings of the La Platine. I for one have contributed to this. The motor of the La Platine, for example, has been much maligned. The thread drive is another aspect of the turntable that have been described as inferior. With regard to the motor and thread drive, I have been set straight by Chris @ct0517 and Lyubomir @lbelchev. Experimenting with the different types of silk threads, the tightness to the platter  and a renewed understanding of the soundness of the Philips motor have been rewarded with better dynamics and transparency. 

The funny thing is that during the past two years of re-engagement with audio, I have questioned ownership of every components in my arsenal except the La Platine. It has always been a keeper. I wonder if La Platine owners would contribute to celebrating this 'old' deck with tales, advice, and insights?

Cheers!
ledoux1238
Post removed 
The one area of the La Platine that I had assumed to be the weak link was the motor. There are numerous posts of using motors from Teres, TW Acustic, Galibier...etc as replacements. I had encountered noticeable pitch drift while listening to music with piano and violin playing. Using a Sutherland Light Strobe, I was never able to get a consistent strobe reading of 33.3 RPM. It usually drifts. Sometimes it would be very 8 rotation before it hits 33.3 RPM. In an effort to improvement matter, a Jasmine motor with an Origin Live belt was used as a test. The Jasmine motor was an not an outright improvement. Certain aspect of the music, such as the bass, seemed more stable or maybe just different. Then I started asking on the Audiogon Forum about possible thread replacement. And that is where things got interesting. 

The more valuable advice was not just the type of thread ( and thread is better than belt ), but the way the thread is applied between the platter and the motor spindle. The application requires that the thread be just tight enough to not lip while maintaining the correct speed. The idea, as I understand it,  is to allow the least among of lateral force on the platter. I, of course, had been doing the opposite -- applying as much tension as possible. This is such a subtle adjustment of the thread drive. But no more pitch drift. 

The advice came from Chris @ct0517. And apparently this is through direct conversation with the late Mr. Verdier! The design intent of using the low inertia Philips motor with the thread was well thought out. And I for one will no longer think of it as the weak link. It just required a little patience from the user. 
In the past two weeks, I have spent a lot of time refining the thread drive and doing more re-search on the La Platine. There has certainly been much discussions here and other forums on the thread drive, motor, the magnetic platter..etc It occurs to me that the title of the thread given, 2020 update, may not be the most appropriate. 

The turntable itself has had no upgrades or revisions since the introduction of the MDF ( black ) plinth, from the original terrazzo, in the late 1980's. In effect there is no update to speak of. More appropriately, this is more a re-acquaintance and re-learning. The turntable was acquired in the early 2000's, used for three years, put in storage, and returned to service in late 2018, What I have learnt is that if the La Platine is optimized, or operated as it was intended, then it can be a powerful neutral platform for the delicate interaction of the cartridge and the tonearm. 

In order to optimize its operation, I experimented with the thread drive.  The idea is to allow a minimal of interaction between thread and platter while maintaining consistent speed.  This in theory allows the inertia of platter and the braking forces of the oiled spindle to interact optimally. The platter is 6 cm in height and weighs 16 kg. There are at least three variables: the height of the thread placed to the side of the platter, the type of thread used and the distance between motor spindle and the center of platter. The most obvious optimization is the thread height. The lower the thread is on the side of the platter the better. Acting on the platter's  lower center of gravity allows less wobble. And this should be the optimal application to other TTs with heavy platters. This is easily audible with a tighter soundstage. The three types of threads used are: the stock thread, Gutermann Rayon 40, a viscose thread, and YLI pure silk thread.  Both after market threads are thinner than stock thread with the intent of allowing minimal action. I would say the different threads to my ear offered different sound signatures, The stock thread has a taut, lively sound, while the pure silk thread more laid back. There were no winners. As for the placement of the motor to platter, I used distances of 40 cm, 60 cm, and 90 cm. I would have guessed that the further the distance, the better the sonic benefits. However,  I could not hair differences. I may have to revisit in the future.

The present set up for the La Platine is the use of YLI silk thread, with the motor  spindle 60 cm from  center of platter, and thread placed 3 mm from the bottom of the platter. The music that has been produced from vinyl is the best yet experienced. I have come to appreciate the vinyl play back as a co-operative effort between the turntable, the tonearm and the cartridge. It really is a team effort. Each has to be optimized for the other to play their part and sound their best. I have done some work towards optimizing the turntable. The play and influence of the Trans-Fi Terminator arm and a ZYX ultimate 1000 on the music becomes very apparent. The differences in recording, the adjustment of the VTA and azimuth..etc. Slight changes in each variable are immediately heard in the play back. 

I had a ZYX air 3 ( $ 3,000 ) mounted on a SME V arm ( $ 6,000 ) in the early 2000's set up. The arm + cartridge combo now is around $ 2,500. By most measure this would seem like a down-grade and not an up-grade. However,  the SQ is far superior. I now believe that it is the turntable, tonearm and cartridge in descending order of importance. 

A final word on the La Platine motor: Using a Sutherland Speed Strobe to measure the speed of the table, I have been unable to  achieve constant 33.3 RPM on each rotation. Typically, there would be a  4-5 rotation drift before returning to 33.3 RPM.  Speed is consistent, but not constant at 33.3 RPM. A future project will be perhaps the introduction of a Speed controller, something that SOTA is now offering with its Total Eclipse Package with the Roadrunner.  
^^^
Albert
re: Audiophile Speed Anxiety

My direct drive turntable which I put together many years ago; can be seen on my virtual system and here..

https://photos.app.goo.gl/vY1f2RWRWPbMFzxEA

is never at 33.33

It is always above or below. Such is the nature of that turntable's drive system. It will fool your Sutherland Gizmo, and this device will say the speed is good. The cheapest DD turntable, whose system uses a back and forth motion to correct speed, will fool the Sutherland Gizmo into showing correct speed. If passing this test makes one calm, I assume that is a benefit, as this may lead to enjoying the music.
But if it causes anxiety ?

The better La Platine test, is to get to a level of setup where one can turn the motor off for a second, turn it back on, and/or flick the thread as the music plays ....and neither of these activities are detected by the human ear in the music that is playing.... that is the real test.

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La Platine is not a plug and play turntable and depending on one’s system chain resolution, all of the following aspects affect the way the music plays. In no particular order.

1) Room humidity/temperature. The synthetic threads may be less prone to absorbing moisture.

2) Material and diameter of thread.

3) How tight the thread is applies.

4) Position on the Platter. (This for the benefit of the motor) The analogy I repeat, of helping a friend move a couch. Where does one grab ?

5) Thread distance from the pulley to the platter - will affect the torque applied. Think about a sling shot catapult length. Results vary depending on thread type and diameter.

Varying any of the above will affect things.

If your table is at 33.2 or 33.4 and the speed is consistent, that is what is important and music will sound as good as it can get. In both these cases your Sutherland Gizmo will drift left or right. As long as the drift is slow and consistent, and the music sounds wonderful, relax and enjoy it.

Cheers Chris