Has to be said


Hi,
i been reading most sites and the little arguments about this and that about making audio in this case be more pleasent ot better to any individual. and have to say upfront that if "you" believe its better to you than it is in fact true to you and you only. we are just reletive respondants to each other and therefore nature and the universe.
many of the subjects that come up as to improving ones audio system tend to go into little details that may or may not have "real" affects on most of us. and also be provable with phsics,math,medical studies etc.many musicians and many humans can distinguish alot of these aspects. and they are ALL quantifiable and measureable very easilly. from 1800 till today FFT and resonance,sound perfiliration has been well adjustable from the totally acoustic pipe organs to the music halls 100s of years ago with out electronic fixes, and all these new snake oil gagets on the market. many are always big commenters here on this site.
Its totally true you can "fix" and sound wave with free rocks,walls,chambers, etc. so go for it at a cost of zero dollars. and adbandon all these marketing hacks.
Ive been well into sound,RF,Radioation, Electron manulipation, Audio,phsics etc all my life and all my relatives aslso . I dont need to justify my opinions yet am dignified by holding 8 international patents,2 doctrets and my dad with similar fields.
one crazy obvious thing no one even bothers to mention is the way off standard of 440hz shifted 8hz the earths standard resonance. while all the 1000s of years 432hz was based on real natural happenings before electronics. dont you all care everything you listen to is 8hz off tune and therefore wrong, but you will bicker about a few microvolts noise from an ocslittating wire with parallell wire  hanging off a standoff. itf too funny to me.
yes all digital except one source tunes their DAC math to 435hz to be more correct to Verdi and other great composers.
ive got tuning forks over the audio and above spectrum and tune my panios violins etc to them 432 hz
and need to say again. yes please do everything Analoge
to correct your sound system, its been done in churches,music halls,the great pyrmids, with instruments themselves.
but do not chase the rabbit down the money hole to fix apparent physhoacoustics in your listening area.

ps the spelling and writing is horrid cause ive got a brain injury2 years ago and under go EEG,ehthesographs and neuro studies constantly. where various frequency sweeps are put thru me and studied by the medical and commercial fields.
Im off for now to play my bass thru 50000watts total. and resonate the neighborhood at 8.2 HZ....

128x128hemigreg
432 hertz intonization , lower your A note by 8hz and all octaves
like when you play your violin, most pros do this or correct bu string position. notice no frets on similar insrtuments, fretless basses.
many rock bassits also do this.
not reasonable done with commercial digital gear, but tweejed Rpm will mimic it on a R to R

feel free to lookup all the neural effects on the brains"hearing" thisthe phase ear to ear relationship gives the timing difference recieved across the standard sized head . neuurons have a itme lag just like wire. if this werent real we could not detect direction. listen to and look at FFT on your Analyzer and you will see what you can hear by the small micro sec shift and ot the tiny phase shift. very apparent when playing an A natural sitting inan Anachohic chamber
I admit I haven't read this whole thread, nor do I intend to. My skeptics radar went up on the first post. My wife is a PhD in neurofeedback and EEG but beyond that, anyone capable of writing as large a volume as the OP ought to know how to use basic word writing tools. I'm calling BS here. 
please get your wife on as an expert. advisor thats the kind of real knowlege this place needs.    and I am not or ever was claiming better/worse,    or medical hurt by wrong tuning---all just point out the huge disparity in the many degrees of separation disparity from changing things in an audio system. Ie fuse direction, wire breakin etc.
I can write pages at a whim, i used to write Govt JAN/MIL standards and there can be 60 pages for a 8-32 philips screw....LOL
I gots all day/night to just banter. i dont sleep much..with ptsd.

anyhow back to post #1    and ppplease some musiciaans chime in here.
falco is whifes phips and bird rack calibrated to the auditory recpetors under the scalp. mine had to be altered from the titanium plate thats now there. the repolarizing NA in the diffusion zone is tricky.
she can help me with a comming patent which may alter the mu receptors in opiate addiction with phased signals making the brain resonate like in a humming montra sound...  all injected with 4 probes and 2 earbuds... no anything like binerual depression effects.
well you got me started on something more. so feel free to e mail me at anytime [email protected]   its in conjunction with a local addiction/neuralogist Dr Surosky of glencove addiction center.
Cleeds, nothink, rodman, even GK, all playing from the same anti-science playbook, attack the poster, not the post. Why? Because you can’t. You can’t because you don’t even understand the posts. You just ra-ra around anything that says what you want to believe because it makes you feel safe. I would love to see you try to actually refute the content of my posts. I could use the laugh!

It is just downright pathetic that you need to claim that anyone more knowledgeable than you must be quoting Wikipedia (and yet you can't show where I have quoted Wikipedia ... and the odd time I do, I will say that I am).
GK Kenworth sized holes:
  • Virtually no visible light in the IR laser in a CD player.
  • The detector is a focused assembly. That means that "scattered" light predominantly does not reach the detector as it is off-angle and outside the field of view.
  • The interior of the optical receptor is non-reflective to prevent "scattered" light from reaching the photo receptor.
  • The receptor has an IR pass filter so that visible light is greatly attenuated.
  • The optical assembly is simple and optimized for 780nm, so visible will be less focused.
  • The error rates for CD are well known and there is a specific standard for production. The first level errors except for a significantly damaged disk are easily fixed with error correction codes, essentially redundant data.  Unfixable C2 errors on a production CD are typically 0. That means that when you open up that CD, you are going to get perfect data.
  • There are many tools available that are very inexpensive that can show C1, C2 and unfixable C2 errors. That means you could easily prove your product has any audible benefit by showing it reduces unfixable C2 errors.
  • Jitter measurement is easy. If your product works, you could show how it reduces jitter.
  • We have 50X and higher CD readers that manage to work. The 1X of audio .... is exceedingly simple.
  • High quality players will reclock the data to eliminate jitter and anything your claimed products will do.