The Harbeth phenomenon


In my search for a new pair of speakers, I've gone through many threads here and noticed that many owners or fans of Harbeth have almost a love-like connection with Harbeth speakers. It is almost as if the speakers cast a spell upon them. I know many audiophiles love their speakers but Harbeth owners seem especially enamored with theirs. I am extremely puzzled by this phenomenon because on paper Harbeth speakers look average at best and lack many of the attributes that generally make a great speaker.

Their sensitivity of generally around the 86dB mark makes them rather inefficient and therefore, at least in theory, not a good match for many lower powered tube amps, or any amps below 100wpc. Their frequency range is simply inferior to most high-end speakers since they don't go below 40 Hz. This alone should, again at least in theory, disqualify Harbeth speakers from consideration as top high end speakers. And yet I've never heard anyone complain about their bass, while people complain about lack of bass in the Gibbon Nines from DeVore, which is a fantastic speaker. Their cabinets look like a cheap DIY enclosure (disclaimer: I've never seen a Harbeth up close, only pictures). The 7ES-3 is rated B-Restricted, while the smaller and cheaper Usher Be-718 A-Restricted in Stereophile but garners nowhere near the same amount of admiration, praise and following among audiophiles.

So what's going on here? Is this a big conspiracy plot by the company that paid off a few hundred of people to infiltrate audiophile internet forums and a few reviewers? I am of course joking here, but the question is serious. How can speakers so average on paper be so good in real life? I know the opposite is often true, but you rarely see this phenomenon.

Please speak up.
actusreus
I have never heard them but I have read most of what is posted. I have made no effort to go hear them because I know they are not for me. I tend to like ultra detailed balanced speakers. Detailed speakers can also have good tone...

I think the key in this hobby is knowing what you like. I am sure Harbeths are great speakers for many people that like a soft highs and a speaker with a little romance than still gets midrange tone right.

My only really issues with them (on paper) is in the day of computer modeling they do not take simple box diffraction into account. But they use a reversed roll surround driver (much like Thiel and others) to reduce standing waves in the drivers... I don't get how you could go through the effort of making/buying great drivers and using a so so box.

All of this is speculation of course because I have never heard them.
How would you describe the differences between the M30s and HL5s? I did here the M40s, and at least in that room with Mac gear, it just seemed like too much bass, they might have needed a bigger room to be balanced. Another think I have noticed is the number of people that like Harbeth, Verity, and Merlin - they have something in common and it must be the mid-range.
I don't get how you could go through the effort of making/buying great drivers and using a so so box.
I don't see this as accurate. From what I understand, much time and study has went into each "box".
Pinkus:
That bogus 'review' was discussed at length in the Harbeth User Group (HUG) Forum. I can't find the link, but if I remember correctly, it was an unauthorized review by a casual listener, based upon a pair of Monitor 30s that were purchased used.

In response to the OP, perhaps you should post your question(s) to the HUG Forum. The owner/designer Alan Shaw personally responds to inquiries, and he always welcomes technical questions. At the very least, it makes for an interesting read.

The previous responses have captured Harbeth's design philosophy quite well. I would only add that each model in the Harbeth line has its own sonic characteristics. This is due, in part, to the design objectives that are specific to each model.