Does anyone use wood for vibration control?


What kind of wood have you found to be best?
bksherm

Hi Tj, great to see you!

Tj said

"Now since you are a man of science and seems to be an amazing physicist would you care to comment on what is happening to my setup and tuning ?"

In all fairness to Geoff that would be a stretch I would think. When Tj and I do listening sessions we both have In-Room audio systems to do this with. Our rooms and systems are giant musical instruments that we sit inside and make whatever adjustments we wish. Not just acoustical, but speakers, electronics and the whole thing. As Geoff shares he no longer has a stereo to do any testing with as far as an in-room system goes. I don’t think Geoff has done any in-room testing for over some 15 or more years I believe. If I’m correct Geoff uses a Sony Walkman Cassette Playing with ear buds.

I’m not saying this as a joke, but just that a portable cassette player to use as a referencing tool with a Tunable Room on the other end might be a little of a mismatch, especially in the feeling department but hey lets give it a try if you guys want.

I'm certainly into referencing from my end.

MG

Michael, when you cannot offer a defense of your position your Plan B is to attack the other guy? I totally understand. It must be very frustrating for you.

tjbhuler
Hi Geoff i just had a great listening and tuning session just now while commenting what i expreicned (sic) to Michael on what i did. Just to share what I did just now, I tuned the side walls and my floor by applying few pieces of wood beside the speaker stand and that brought out amazing image and better layering of my stage. I tensioned one of the bolts of my front wall and that brought out the stage more forward towards my listening spot.

Now since you are a man of science and seems to be an amazing physicist would you care to comment on what is happening to my setup and tuning ?

>>>>I was kind of hoping you or Michael would explain it to me. So far all I see is a lot of hand waving. By the way, in case I haven’t been clear, I don’t doubt that some or many or even all of Tuning principles don’t work. What I have been saying is those principles don’t go far enough. You know, what the the myriad problems produced by seismic type vibration as well as acoustic vibration and vibration from transformers, capacitors, motors, etc. follow? You guys can dodge and weave, ignore, Pooh Pooh, attack, evade, dispute all you want. It’s no skin off my nose. The arguments from Tuners against vibration isolation are either non-existent or incorrect. But I’ve said this all before. Something is fundamentally wrong somewhere with the whole Tuning manifesto, I submit, since Tuners embrace vibration, and want vibration to be free to roam anywhere, whereas most of the rest of the world embraces killing vibration. You are kind of the Branch Davidians of vibration. 😛 there’s a space between us big enough to drive a truck through. 🚚

So OP, I’m ready to do some listening. Yesterday I put on "Toys in the attic" by Aerosmith. This is a regular off the shelf CD and I’m playing it on my favorite CDP, which happens to be a very low mass player that Magnavox produced for several years. The system is totally mine with no brand names to mention except for mine, folks can check this out on the TuneLand Forum. I have my headphone setup cued up as well to do a few comparisons but this is mainly an in-room reference.

Most of my Tuning references are done with in-room systems because when listening I want to feel the music while I listen to it.

I use CDs for 3 reasons, one I love the sound of them, two a CDP is easy to tune and 3 the repeat button. For more serious referencing I might listen to the same recording for days leaving the player on repeat.

mg

I’m going to make some adjustments on the system, not because the music sounds bad, but to show how easy and effective Tuning Blocks and other wood pieces are when used.

People have already mentioned several types of wood and so this is in addition to their uses. I usually don’t like doing the better or worst thing, that’s up to the listener. What I’m here to do is show the variables of Vibratory tuning. Before I jumped in I knew others would come up to give their experiences, or quote others, shoot in the dark or share their own listening experiences that were successful using wood.

I look at the entire house or building as part of the mechanical system. The 4 fundamental Interactions tell us that everything affects (interacts) with everything else. That’s a pretty simple beginning guideline "there is no real isolation on a moving, magnetically charged planet". The audio debates on this sort of thing are amusing but if you back away from the surface for very long and then return you will find yourself in a different location. We live in motion from the day we are born till the day we fold up our listening ears and move on.

One of the reasons why wood is so good for music is the way trees have been growing on our planet. A tree is the biggest live fiber that grows from beneath the Earths surface to the suns energy in a full range vibratory fashion. Trees grow in cycles as they reach out for the suns energy. They are natures watch like all natural materials. If you slice through a tree you will see natures cycles just like if you carve away the side of a mountain. It doesn’t take much to see that we are all living in time and all connected to, and a part of, energy.

mg