How important is it for you to attain a holographic image?


I’m wondering how many A’goners consider a holographic image a must for them to enjoy their systems?  Also, how many achieve this effect on a majority of recordings?
Is good soundstaging enough, or must a three dimensional image be attained in all cases.  Indeed, is it possible to always achieve it?

128x128rvpiano
It just goes to show not everyone’s on the same page about this, although some try to narrow it to one view only.
@rvpiano, yes but it’s far too complicated to narrow down to just one view. At least for us audiophiles.

I do think that in these download times it should be easier for the recording industry, if they could be bothered, to deliver multiple recordings with little extra cost.

That way we could chose to buy uncompressed over compressed or those made with a more natural microphone position if we want that live, ’you are there’ feeling, or original remaster over remix etc.

The industry however seems to be against live recording and instead obsessed with correctness of performance via overdubs and innumerable takes. Glenn Gould was an early fan of this new technology and the opportunity to record a perfect performance, at least from the performers perspective.

Since there’s a huge difference in piano sound with the microphone positioning (eg placed under the lid as opposed to a more natural distance, same for guitars/drums etc) it follows that most recordings are a concoction dreamt up by the artists and producer rather than any attempt to capture a live performance. Multi-tracking has many uses but also a lot to answer for.

Perhaps if we’re looking for holographic sound we could begin by compiling a database of recordings that were made with a microphone perspective of the listener sitting in the audience rather than a slapdash conglomeration of numerous immaculately recorded audio tracks piled on top of each other.
I've never seen a record with "holographic image stamped on it".  I've never bought a record specifically for "holographic image"  with out consideration for the music.

As much as I enjoy it when it occurs, everything is still about the music.  Although most of us want our rigs to be able to produce this when it's on a record,  we buy records for the music we like, not for holographic image.  That's like only buying records for excessive bass.

Most of us realize the "relativity" of all the elements being discussed.
"I've never seen record with holographic image stamped on  it ……"

Opus 3 has a disc titled 'Depth of Image', which can excel at portraying a 'holographic image', but it is so good unless you have already heard it under optimum conditions, you might just think your system is already there. This record is one of the few I've heard. Each cut on the record (and while on CD I vastly preferred it on vinyl) has a description of what you should hear if your system is optimized. If you are really interested....:-) 

I agree with your 2d paragraph - 

Yes Newbee, I am always interested in test records that will help me optimize my system; the record would be preferred.