Older Altec horn speakers

If you have the space Altec Model 19's are hard to beat. I enjoy my 19's with 16wt 6V6 tube amp and tube pre amp. Very enjoyable.

Johnnyb53 wrote: "I prefer a lower crossover point from a 15" speaker, but if it works, it works."

He's referring to the 1200 Hz crossover point between the Altec Model 19's 15" woofer and 1" horn-loaded compression driver.

At first glance, Johnnyb's objection makes sense... and if this were just about any other speaker I'd agree. But there's a reason behind that 1200 Hz crossover point. It's rather interesting in my opinion, so here goes:

The predecessor of the Model 19 was, if memory serves me, the Valencia. The Valencia had essentially the same driver complement I believe (15" woofer, 1" compression driver on a 90-by-40 degree horn), with a crossover point around 600 Hz. This was a very good speaker, but someone at Altec had a highly unorthodox idea for a way to improve on it: match up the output of the woofer and horn off-axis as well as on-axis at the crossover point.

To do this, it was necessary to raise the crossover high enough so that the woofer's radiation pattern matched that of the horn. Actually the woofer's pattern at the crossover point is in between the 90 degree horizonal and 40 degree vertical pattern of the horn, but the net effect is a very good match.

While intuitively 1200 Hz seems way too high for a 15" woofer, the Model 19 is considered by many to be the finest speaker Altec ever made. So obviously the Altec engineers knew what they were doing.

If I were to trace back over time the basic concept behind my own designs, I think the Altec Model 19 would be the point of origin. Applying the concepts of the Model 19, JBL made the landmark Model 4430 studio monitor. Earl Geddes' Summa is conceptually an update of the Model 4430, and my stuff is an offshoot of Geddes' work.

So while I've never owned a pair, I have a soft spot for the Model 19, and great respect for whoever first came up with the idea to take a 15" woofer up to 1.2 kHz against all conventional wisdom, and thereby matching up the directivity of woofer and horn in the crossover region.

So Johnnyb I don't blame you one bit for raising an eyebrow over that 1200 Hz crossover point... but there was a method behind the madness!

Duke

Thank you Duke, for an insightful/informative post regarding 19s. All I know is I like'em. I got mine for about $1200 about 15mos ago and I consider that the best bargain in speakers I am ever likely to get.

I am using an Altec 604 based speaker from Serious Stereo. This is by far a better speaker than the others I have used of which several are highly acclaimed. I feel that some of this older technology can be as good as the best of what is made today as long as the implementation is done right.

I am using Altec 19's which are fully upgaded,woofers,crossovers,etc.The set up I use is a highly modded moscode 600,AR LS7 Theta DAC,Theta transport. This system is in a room with Acoustat 2+1's powered by a modded Sumo Gold.The Altec's far better sounding speaker.The biggest thing about the 19's is they speak the truth about recordings.Also the truth about the gear used. I agree some of this older technology can be as good as the best of what is made today as long as the upgrades are done right.I also have JBL 4412's.Energy Veritas 2.8's,Klipsch Chorus II's,Vandersteen's etc.What the 19's do is MAGIC.Look at Magico's flagship speaker at $350,000 it's a horn.