On the fence about Vinyl need a good phono stage for A/B testing


Got myself Rega P6, but humm I am not so sure if I want to listen to Vinyl over lossless audio. I have SET tube amp and thinking if I have to get tube phono stage or a good SS will suffice. The speakers will be Legacy Aeris. 

I am thinking ti try out Project Tube Box DS2 but guessing if I should I go all out with Luxman EQ-500 or be rational and settle for Parasound JC3+.

The signal chain will be Rega P6 with Ortofon Bronze -> Phono Stage -> Legacy Wavelet processor -> Line Magnetic 508ia -> Legacy Aeris.

Any advice is helpful.

thanks
geek101
If you're thinking about the Parasound JC3+, go with a slightly more costly option: Herron VTPH-2A. I've had a half dozen phono stages over the past ten years including the Parasound and Herron puts them all to shame. With a properly set up TT, the Herron will give an immediate improvement in sound quality. Another nice thing about the Herron, if you make upgrades to your system over time, your phono stage won't be one of them. It is that good.
audiofun, Thanks and how does Luxman EQ-500 compare to others you have and why should one change the fuses?. Pardon me if it is a silly question. 
Geek101:

Not silly at all, it is in the top three or four that I’ve ever heard, and I have listened to more than I can count with some of them costing FAR FAR more than the Luxman. It is quiet, flowing and has excellent timing which is important, a good number of stages completely foul up the timing. The stage is highly transparent with just a hint of lushness/beauty making itself known (you can control this with the rectifier choice as well as the signal tubes). It is not 300B lush by any stretch but it is the polar opposite of the Pass XP25, in a good way (IMHO).

I don’t want to get into the fuse thing but if one thinks about it, all the power coming into the unit is rectified and stored in caps and then released and modulated to the musical/electrical signal generated by the stylus, this is what you are listening to, the power supply. If the first choke point is a chintzy three cent fuse with a crap metal filament (slow blow, Tin, zinc or some alloy) passing the current, a signature is established. Garbage in garbage out. I can honestly tell you that changing the fuses brought about a HUGE increase in the units sonic capabilities.

Nearly all of my components have an AMR MK2 Gold or a Bees Wax Ultimate fuse installed.

@audiofun @geek101 Hi guys, Sorry for my delay and this being a short message. I Used a TE Audio Systeme phono input (from Germany) , a Yamaha 5000, and an older Onkyo. The Luxman coupled with any of my TT's (Kuzma, MS BL-91, a DDX-1500, Nakamichi and a old JVC QL-Y5F) and the Luxman beats anything hands down.

I agree with Audiofun but it changes with the cartridge and arm. I mainly use a Jan Allearts cart (I have 2) amongst others. The sound is fantastic, apart from the condition of my vinyl. They need a re-clean badly. :)

amg56:

That sounds awesome! I use an ART 1000, London Ref and Ana Mighty Sound 103.3 with the Luxman although the London belongs to the SPL Phonos :)

The ART 1000 and 103.3 sound absolutely stunning with the EQ500.