Vinyl - Hearing The Beginning of the Song One Revolution Earler


When I listen to vinyl, I can hear (on some records) the beginning of the song very quietly in the background about one second (or one revolution) before it starts. Let's say a song starts with piano. I can hear very quietly in the background the beginning of the piano just before the song starts. 

Do you hear the same in your system? And do you know why this is happening? Is my turntable not set up correctly? Or is it the sound the recording engineer hears ahead of the recording? Or is it something else? I think it happens exactly one revolution ahead but I am not absolutely sure about that.
nenon
Thank you for all the responses. 

I have been making some changes to my system that made it much more resolving with a much quieter background. This is when this "echo" effect became really noticeable. I hear this on some of my best sounding records, some old but others are new releases from the original master tapes (I guess thats' the keyword :)) where a lot of attention to details is applied. My main concern really was if there is something wrong in my turntable set up, especially because it seems it happens around one revolution early. But it does not seem that is the case. 
Remember the Shelby Lynne album, "Just a Little Lovin’" that was an homage to Dusty Springfield? The initial release on Lost Highway was horrible, but Chad re-did it a while ago. A profound amount of pre-echo, to the extent it almost sounds deliberate. Top people involved in producing, mixing and mastering-- the late great Phil Ramone, Al Schmitt, and Doug Sax. First issued when Chad was still using RTI to press, reissued (probably no change in mastering) when Chad set up QRP. It was an "audiophile" type demo record several years ago.
Yup. Anyone who knows vinyl knows this. If you listen to vinyl but never heard it then you are just not very observant. Pre-echo is extremely common and normal. If you can’t hear it most of the time (pre-echo affects the entire LP on every LP) then you just aren’t concentrating properly. It is most apparent in the middle of songs when a loud passage begins right after a very quiet one. It is hard to hear when going from a loud to a soft passage. Often the best sounding LP vinyl has this issue because it means it was cut with a high dynamic range.

I recommend 12” 45 rpm with only a single track each side as a solution to this problem. LP is Long Play and is a compromised media but it can still sound gloriously good - never any digital jitter glare issues for example..
Keith Jarrett's Koln Concert on several different vinyl versions and the original ECM cd version had that issue. The Tower Records/ECM SACD version does not.