Pani ... New ART-9 up and running ...


The Cartridge arrived and I took it down to Studio City to Acoustic Image to have Eliot Midwood set it up properly. Eliot is the bomb when it comes to setting up the Well Tempered turn tables correctly.

http://www.acousticimage.com/

So, last night I had Mr. Golden Ears over to get his assessment as well. For a brand new cartridge that had zero hours on it ... all I can say is WOW! This is one naturally musical cartridge that doesn't break the bank. Its everything I liked about the OC9-mk III, but it goes far beyond the OC-9 in every respect.

In a previous post, I talked about the many mono records I own and how good the OC-9 was with the monos. Well, the ART-9 is on steroids. Just amazing on mono recordings.

At under $1100.00 from LP Tunes, its a bargain. The ART-9 surpasses all cartridges I've had in the system before. That would include Dynavectors, Benz, Grado Signatures and a Lyra Clavis that I dearly loved. In fact, its more musically correct than the Clavis. The Clavis was the champ at reproducing the piano correctly ... the ART-9 is equally as good in this area.

Sound stage, depth of image, left to right all there. Highs ... crystalline. Mids ... female and male voices are dead on. Transparency ... see through. Dynamics ... Wow! Low noise floor ... black. Mono records ... who needs stereo?

Your assessment that the ART-9 doesn't draw attention to itself is dead on. You just don't think about the cartridge at all. Not what its doing, or what its not doing ... its just beautiful music filling the room.

Thanks again Pani for the recommendation. I'll keep posting here as the cartridge continues to break in.
128x128oregonpapa
just bought a new technics table and the removable headshell lets me compare carts relatively quickly.  
running a new ortofon cadenza blue which will not be unseated by the ART9 but the ART9 does sound great and right there with the cadenza.  The 9 sounds better on the technics than it did on my old high mass belt drive table.  very sweet, high energy and brighter yet still very clean sounding.  it just recesses the midrange more than i prefer compared to the ~ $2000 ortofon but sounds awesome otherwise,  it hangs right there and some may even like it better.  amazing when you consider it's half the price.  
Holy smokes folks, well you all convinced me to try my fully broken in ART9 MC on my new  VPI ROSEWOOD SE table i purchased, even after i told VPI guru that i had the AT ART9 he told me point blank get the ORTOFON CADENZA BRONZE for that table and it will take it to such a level ill never want a upgrade again, im just use to the sound of the ART9 on my VPI scout 2 and i think it is adjusted pretty spot on too, anyway im going to give my ART9  a good 2 weks or more on that rosewood table before i make any real decisions of upgrading carts after reading all these glowing posts, i love this forum !
Well these comments inspired me to saddle up the ol' ART9 again after making some changes to my ICs and adding a Stillpoints LP Isolator to the TT.  The LPI in particular helped open up the top end and it also tightened up the bass a bit and sharpened dynamics.  A welcome change all around. But most interestingly, it improved the sound in just the places I was complaining about with the ART9: bass resolution, higher end detail and overall balance.  So I hereby amend my above remarks. impressive cartridge, given my relatively limited experience. 
Pani ...

Just a word of thanks for turning us on to the ART-9. I've enjoyed mine immensely ever since installing it.   It just takes itself out of the equation and totally disappears leaving only the music.  Highly recommended.

Frank

Frank, credit goes to you as well for setting it up well and matching with a synergistic phono stage to get the best out of this cartridge. It really needs a medium to light tonearm and a low noise full sounding, dynamic phono stage to shine through. Using a heavy or 12" tonearm takes away some of that agility and excitement from this cartridge.