@b, on the emotional connection imparted by a particular component. I wonder if Art Dudley is admitting that even he doesn't have the Audio vocabulary to capture or summarize the full effect of adding or subtracting a particular component from the chain. Perhaps the effect was too profound in one or many ways, and it just resonated in his listening experience to create a personal reaction beyond rationalization. This may sound too "woo woo" for some, but I think I can relate.
Evaluating a system - what do you listen for?
I have been in this hobby a long time and my opinion of what I want to hear in reproduced music continues to evolve. Having owned many systems - and critically listened to many, many more - I am now looking for an overall sound that as accurately as possible captures the tone and tempo of the music with enough of a bass foundation to convincingly portray an orchestra at full tilt or club beats while still nailing the timbre of an upright bass. Decent portrayal of leading and trailing edges is nice, and a high end that’s fully present and balanced without stridency is a big plus. Detail’s good, but hyper detail without musical flow can be distracting. Airy treble and pinpoint or large soundstage are also nice to have, but if what’s coming out of the speakers doesn’t make me want to tap my toe or cry a little bit when a vocalist holds a note just so, then what’s the point? That’s what I’m looking for these days - what about you?
- ...
- 51 posts total
- 51 posts total