Best Ways to Organize a Classical Record LP Collection ?


Need advice and recommendations from AudioGon Classical LP Aficionados.

I recently acquired a large 30+ box Classical LP collection.
Feeling a little overwhelmed. :^( 
Organizing Classical music is different from other genres.

Do you organize by Composer, their Work, the Performer, the Label, other .... ?

Can you please share your experiences, ideas, the pros and cons you found with each method. 

I am hoping your information will help me to decide which method will work best for me. 

Thanks 

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Syntax - did you forget to include a classical album pic with your post ?

Here is ML5443 from my previous post, this one happens to be a Canadian pressing.

http://www.audiophileusa.com/covers400/123501.jpg

And here is a good stamper movie.

https://www.youtube.com/watch?v=yDduaWNX2fo

From the movie.

Rainbow Records started at >>> 6k - 8k pieces per day.
They grew in the 60’s >>> 30 - 40k pieces per day.
The Heyday after Elvis’ death. >>> 60k pieces per day.
Late 80’s >>> 8-10k pieces per day.
Today (2008) >>> 25 k pieces per day.


Here is a link I stumbled upon for the Angel records catalog.

http://www.papageno1.com/angel/

It can be easily dumped into your file choice and then searched by whatever criteria you wish. It is sorted by label number. Thanks to Geno who is listed on the site and made this info available. Once on the site there is also a link for the Great Recordings of the Century records.

This is the record I was looking for when I found this.

http://i.ebayimg.com/images/i/371269825076-0-1/s-l1000.jpg

This is new music for me. I don't know of Benjamin Britten/Simon Rattle.

Well done record.
Came across this interesting album. I somehow found it in the common section of albums on the floor, to be listened to. I think it was from my original personal stash, not the acquired collection, but they are all one now anyways. Found it very interesting so wanted to share.

Milhaud*, Boston Symphony Orchestra, Charles Munch – La Création Du Monde - Suite Provençale

https://www.discogs.com/Milhaud-Boston-Symphony-Orchestra-Charles-Munch-La-Cr%C3%A9ation-Du-Monde-Su...

Mine happens to be a Canadian pressing from Montreal.

I found the music very unique. it was recorded on an old RCA Living Stereo label in excellent condition. So I looked it up and found some interesting info.

On a trip to the United States in 1922, Darius Milhaud heard "authentic" jazz for the first time, on the streets of Harlem, which left a great impact on his musical outlook. The following year, he completed his composition La création du monde (The Creation of the World), using ideas and idioms from jazz, cast as a ballet in six continuous dance scenes

The jazz pianist Dave Brubeck became one of Milhaud’s most famous students when Brubeck furthered his music studies at Mills College in the late 1940s


taken from here.

https://en.wikipedia.org/wiki/Darius_Milhaud



Been offline for a while. The records are now sorted to a level that they can be found. I think. Probably about as easy as finding my tools - which are not that easy to find. Why can I never find the Phillips screw drivers / bits when I need them ?

Couple more recent albums played that I found interesting. Please feel free to share any interesting Composer works. CD or LP. I will see if I have them in this LP collection. This would be a good test of my sorting. If I don’t have them, I will make a note of them, as I have been kind of banned from bringing in more records - for a while anyway.

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An interesting listen to yet another Tchaikovsky 1812 Overture - this time a Phase 4 Stereo version from my old stash. It’s amazing what I am finding I had in my old stash. Just more aware of it I guess.

Tchaikovsky: 1812 Overture, Op. 49; The Nutcracker Suite, Op. 71a / Robert Sharples Conducting The London Festival Orchestra And Band [London Phase 4 Stereo]

Here is a youtube

part 1

https://www.youtube.com/watch?v=NwX8oMgqhXg

part 2

https://www.youtube.com/watch?v=emRjWTHcdwE

And a review of this Phase 4 process by Endless Groove.

http://www.endlessgroove.com/issue4/lp4s.htm

Whether this Phase 4 is a gimmick or not - this album was very enjoyable.

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Gustav Holst - The Planets

http://classicrecords.co.uk/wp-content/uploads/2016/04/2532019.jpg

A cool sounding name for music work ?

Deutsche Grammophon
Berliner Philarmoniker Herbert von Karajan
2532019 Deutsche Grammophon

Gustav Holst was a trombone player. He had neuritis in his right arm so when conducting he used his left hand.
Changing of his name from Von Holst to Holst - why ?

In 1918, as the war neared its end, Holst finally had the prospect of a job that offered him the chance to serve. The music section of the YMCA’s education department needed volunteers to work with British troops stationed in Europe awaiting demobilisation. Morley College and St Paul’s Girls’ School offered him a year’s leave of absence, but there remained one obstacle: the YMCA felt that his surname looked too German to be acceptable in such a role. He formally changed "von Holst" to "Holst" by deed poll in September 1918. He was appointed as the YMCA’s musical organiser for the Near East, based in Salonica


taken from here.

https://en.wikipedia.org/wiki/Gustav_Holst

Holst, in his forties, suddenly found himself in demand. The New York Philharmonic and Chicago Symphony Orchestra vied to be the first to play The Planets in the US.


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Georg Friedrich Handel
Wassermusik Water Music (Complete).
Deutsche Grammophon 138799


https://www.discogs.com/Georg-Friedrich-H%C3%A4ndel-Rafael-Kubelik-Berliner-Philharmoniker-Wassermus...

Why is this called water music ? Well I had no idea so I checked it out a few days ago.

The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717 after King George I, had requested a concert on the River Thames.


So now I know.

Also interesting.

The Water Music is scored for a relatively large orchestra, making it suitable for outdoor performance. Some of the music is also preserved in arrangement for a smaller orchestra; this version is not suitable for outdoor performance, as the sound of stringed instruments does not carry well in the open air.