Preamp inverts signal.


My tube preamp inverts the signal and the manufacturer suggests to reverse the speaker leads at the speakers to correct. My CD player has a polarity switch, will activating this switch take care of this signal inversion, avoiding having to reverse speaker leads?
phd
My Croft 25R inverts but reversing speaker leads dulled the dynamics enough to be noticeable. I put them back to the way they are marked. I tried this with a number of recordings and results were consistent. 
Al, unfortunately phase and polarity are sometimes used interchangeably. In the case of the XLO test CD when they refer to "phase" they're actually referring to what we call absolute polarity now, you know, what with the book on polarity by Clark Johnsen and the work in the past ten years by George Louis.  Obviously one should not misconnect cables. If one speaker is out of phase due to miswiring the out of phase track will not sound correct.

cheers

"My Croft 25R inverts but reversing speaker leads dulled the dynamics enough to be noticeable. I put them back to the way they are marked. I tried this with a number of recordings and results were consistent."

Is it possible something else in your system inverts polarity?  Two wrongs make a right.

Not every listener is sensitive to absolute polarity.  And even if a listener prefers one polarity over the other it doesn't mean the preferred setting is the "correct" polarity.

In a typical recording session the engineers pay attention to phase issues, but not to absolute polarity.  In fact, nearly every mic preamp and mixing console has a polarity switch for each input channel.  These switches are freely used which can result in a multitrack recording where the drums have one polarity and the piano another.

In a purist, true stereo recording absolute polarity takes on more importance, but for most modern recordings I don't think it's a major factor.  Someone may have a definite preference for how they have set up their system, but I think Almarg's comments about circuitry is probably a better explanation for one's preference.
Onhwy61 wrote,

"Not every listener is sensitive to absolute polarity."

>> I never said they were. Some people hear better than others, no doubt about it. And there are exceptions to every rule. I suspect it’s probably true that people need to be trained to listen for the difference between N and R, otherwise they tend to not know what to listen for.  Just like distortion or say transparency or grain or whatever. Everyone should go out and and find a guru. ;-)

Onhwy61 also wrote,

"And even if a listener prefers one polarity over the other it doesn’t mean the preferred setting is the "correct" polarity.""

>>I never said it did mean that. People frequently don’t know what the heck they’re listening to half the time, don’t you think? No one actually thinks about polarity when he’s listening. Only if he’s testing for polarity. And then he has to do the test correctly, no? It’s a little more complex than you let on. Most likely 99% of audiophiles do not think about polarity EVER in the course of a year. But that doesn’t mean polarity is not an issue or is a non-trivial one.

"An ordinary man has no means of deliverance." ~ Old audiophile expression