Otari or Technics Reel-to-Reel ?


Hi.
I am thinking about getting one of those in the future. I am sure I would want Studer but they are too expensive for me. I want the deck to be able to record on 7.5 and 15 and to play on 3.75, 7.5 and 15, both half-track and quater-track tapes.
I would be recording from vinyl making compilations and listening to studio recordings whenever I could get them.
I would be prepared to pay to have it properly cleaned aligned and calibrated.
I actually never delt with RTR, but in my heart I am a tape man not vinyl man.
What would your recommendations and advice be? I would appreciate any input based on knowledge and experience.
inna
I totally agree, Inna. We would make our analogue masters, but if we wanted anybody to buy our music, the record plants require a HiRez digital file as the master. But I suppose we could sell a couple 1/4" reels/year.

I wonder if The Tape Project is making any money?
Lowrider57, the record plants take whatever media the master is on- 1/4" or 1/2" master tape or digital file, whatever. I say this as a mastering engineer; we have to be able to handle the master in whatever form it takes.
Atmasphere, thanks for responding. I know the mastering engineer can receive various audio formats, but after you sweeten the sound and sequence the tracks, etc, what format do you then give to the record cutter?
We avoid doing anything to the sound of the source (no 'sweetening'); in theory some projects might need processing if there is bass that is out of phase or the like but so far we've not had to do anything like that- with a little care you can avoid a lot of processing that is generally used just to speed things up.

The sequence is already predetermined on any project by the artist.

We play back in whatever form the source arrives; we can handle 1/4" and 1/2" 2-channel tape and just about any digital sound file.