Otari or Technics Reel-to-Reel ?


Hi.
I am thinking about getting one of those in the future. I am sure I would want Studer but they are too expensive for me. I want the deck to be able to record on 7.5 and 15 and to play on 3.75, 7.5 and 15, both half-track and quater-track tapes.
I would be recording from vinyl making compilations and listening to studio recordings whenever I could get them.
I would be prepared to pay to have it properly cleaned aligned and calibrated.
I actually never delt with RTR, but in my heart I am a tape man not vinyl man.
What would your recommendations and advice be? I would appreciate any input based on knowledge and experience.
inna

Inna, this is stuff dreams are made of, it's called EE tape. If a person had a reel with a EE seting , he could record at the slow speed of 3 3/4 and get 7 1/2 quality of sound. That doubled the playback time without reducing quality of sound. This was long before I got into the high end, and playback time was our concern.

As it turns out, you don't need those EE settings, this tape will work on any reel. I'm listening to it on the 2 track Technics and what I'm hearing is truly unbelievable. ( A 2 track Otari will be even better) Holographic is an understatement, the musicians are here in the listening room.

This reel was not in a gold EE box, but as soon as I heard the first tune, I knew it was EE tape. War "All Day Music" was the first LP; it's hot fun in the summertime. "Let's go to the beach, play in the park, or roll in the grass long after dark". The year was 71 when such things, even for us, were on the good idea list. On this tape, each vocal or instrument is surrounded by air, decay time on any thing that rings is forever and the musicians are in the listening room.

Everyone whose heard EE tape wishes it would come back. I'm positive, no matter how good someone else's rig is, they wont get sound this good unless they got a reel and EE tape; think about it, the high end is the starting line, then you throw in a reel; that boosts it up a notch; next you add the EE tape, that puts it over the rim; I sure hope they bring it back.

Top notch gear is only half the story, good recording results require explicit planning and execution. "Watch power cords and interconnects, arrange so as not to create hum". Enjoy when it's time, but don't rush.
Otari MX5050 B3 will be my personal choice. Very versatile and easy to use machine with incredible recording abilities. It's also easy to service and high reliability.
I saw many EE reels on ebay. I always thought that backcoated tapes were the best. But perhaps not for the 3.75ips.
In any case, the consensus is that Otari two track is the way to go. Except Studer A810..

Inna, since you're looking into all things Otari, could you tell me how easy it is, to change my 1/4 track Otari to a 2 track?
Its a matter of changing out the heads a tape guides, then recalibrating the electronics to the heads.

Sony made a pro audio machine (APR 5003) that sounds quite good that had interchangeable head nests complete with guides. It takes only about 5 minutes to change from one to the other. Usually though we are swapping between 1/4" and 1/2" two-channel tape. If you think 1/4" half track is nice...