It is impressive, at least to me--the Shearwater's bass, that is. For a two-way, it's exceptional. Mr. Atkinson is more rolled-off in his praise:
--this from the link you kindly provided, Shadorne.
I can see the dishing in the upper mids from 1K to 5K in Mr. Atkinson's tweeter-axis plot, but like other points he brought up in his test series, it didn't seem to bother the reviewer (Chip Stern). I can't say it bothers me either, perhaps because my as-yet-untreated room is quite lively.
If you'd like to hear for yourself how Pat McGinty managed his tradeoff in the Shearwater design, you're welcome. Drop me a line if you come to Montreal.
reasonable bass extension
--this from the link you kindly provided, Shadorne.
I can see the dishing in the upper mids from 1K to 5K in Mr. Atkinson's tweeter-axis plot, but like other points he brought up in his test series, it didn't seem to bother the reviewer (Chip Stern). I can't say it bothers me either, perhaps because my as-yet-untreated room is quite lively.
If you'd like to hear for yourself how Pat McGinty managed his tradeoff in the Shearwater design, you're welcome. Drop me a line if you come to Montreal.