Stereophile Class A and Frequency Response


According to the Recommended Components Loudspeaker section in Stereophile, "to be eligible for inclusion in Class A, the system must be full range- ie feature bass extension to 20Hz."

I then noticed that the B&W 802D which is in Class A has a frequency response of 34Hz–28kHz (as mentioned in Stereophile's report on the speaker), which is nowhere near 20Hz.

Why is this speaker included in Class A?
smeyers
Eldartford

Ya, I used to read "Audio". I remember when they reviewed the old Snell Type A's...My speaker lust of that time.

I liked Stereophile a lot back then too, it was a smaller size (6"x 10", maybe smaller?)...easy to hold.

Dave
Let me explain the discrepancy between the Stereophile measurements and the Ultra Audio measurements.

John Atkinson uses a simulated anechoic technique, employing time-gating over most of the spectrum and close-miking the woofer and port in the bass region, then doing some calculating and splicing. So the deep bass response in Stereophile's measurement section is the expected anechoic response (no room contribution).

In his Ultra Audio review, Paul Messenger states that he used a "farfield in-room technique" - in other words, the room's contribution was included. This is the reason for the discrepancy.

Typical room gain for a monopolar speaker system in a home listening room is roughly 3 dB per octave below 100 Hz or so. At 20 Hz, this comes to 7 dB. Note that room gain varies from room to room. Apparently in Paul Messenger's room, and with his speaker and microphone positioning, he gets about 10 dB of room gain at 20 Hz.

Here's a link to a "typical" room-gain curve: http://www.speakerbuilding.com/content/1020/rge.gif

If we add the expected 7 dB of room gain to the -10 dB that Stereophile recorded at 20 Hz, we come up with -3 dB.

So in a real-world situation, the 802D meets Stereophile's criteria for classification as a "full-range" loudspeaker.

Duke
dealer/manufacturer
I just received a CD (Boadwalk Pipes and Bach on the Biggest" ACCHOS/CD/02). The two organs are in the convention center at Atlantic City NJ. The original master tapes, digitally remnastered for this CD, were made in 1956 by Mercury's renowned team of Wilma Coozart and C. C. Fine using their three channel recorder of Living Presence fame. Proceeds from sale of this CD go towards restoration of the organs.

The larger of the two instruments has a 64 foot pipe, 36" square at the top, which sounds at eight (8) Hz. My audio rig, with a custom subwoofer system that includes three 15" drivers and three 12" drivers, powered by six 600 watt amps, had to be turned down a bit from what I would consider realistic SPL for this instrument. Awesome. Try this CD with your 6" woofer!
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