Acapella vs. Avantgarde


I currently run a Cary CD-306, Cary SLP-05 preamp, and Cary 805AE monoblocks with a pair of ProAc D38's (see system). The combination is sweet and involving, but the combo just does not boogie when asked to play a large orchestral piece, by Mahler/Wagner/Shostakovich. When the volume is turned up, dynamics are poor and the system starts to sound compressed. I suspect that the 50W Cary's simply does not have enough guts to drive the ProAc's, so I am considering replacing them with a more efficient speaker. Since most SET afficionadoes love horns, this led me to look into Avantgarde and Acapella.

I live in Melbourne, Australia. Avantgarde is available through a dealer here, but he does not have any in stock. The Acapella dealer is in Sydney (a plane flight away). I am looking to spend A$30,000 - which will buy a nice Avantgarde Duo, or a secondhand Acapella High Violon.

I have read plenty about the dynamics of the Avantgardes, but my concern is if they have horn coloration. Also, how do they image? Are they sensitive to room placement?

Would the Acapella High Violon's be a better buy, considering the pair I can potentially get my hands on have been heavily discounted? I have read that Acapella's suffer from disjointed sound because of the three different driver technologies (plasma tweeter, horn mids, conventional woofer). How much is this a problem? And are there any room placement issues? Given that the Acapella's have lower sensitivity (91 dB/W/m) would I be achieving a real upgrade by moving from the ProAc's?
amfibius
Whart, you cannot meet that price with any of the Acapellas discussed, which is not to suggest that they are overpriced. When I bought my Duos, they cost less than $20k and that was several versions and many years ago. Acapellas are relatively recent to the US.
I know it is unfair to bring price into the equation when we are striving for the uncompromised sound. Just wanted to interject a little 'levitation' into the proceedings, to paraphrase one of my favorite actors.
I'm another happy long time Duo owner. Set up is crucial. My dealer in the UK came to my home to set mine up - will your Melbourne dealer do the same? Set up correctly they are fantastic, with a few caveats about the bass as mentioned. My only concern would be about your Cary's. The Duos are so efficient that they will show up noisy circuits in amplifiers. With the AGs, you don't need many watts, and you need even less noise.

Good luck

Charlie
I only have experience with Trios. I used a Cary 805c. It was very effortless sounding on the Trios but on 92 db or lower speakers it was a little slow. I now use a Viva Aurioa monos (845 also). In comparison the Viva is a little leaner sounding, much better bass, more extended highs and cleaner sounding thoughout. The Cary thickness I like when listening to acoustic guitar though. I have had my Trios for more than three years. I felt when I got them they tended to sound at the time maybe bright, edgy and aggressive. I have heard others many times comment on this. Ananrgarde speakers are very dynamic and reveiling. Any imperfection in what goes to them seems to be more audible than other speakers. In average electronics comparing Avantgardes to dynamic speakers. The Dynamic speakers will probably be easier to listen to. Any harshness comes out more in the Avantgardes. Over the time I have had mine I have gradually changed equipment and tweeked it. My system is such a beautiful, natural sounding thing that would be hard to critised in anyway. Avantgarde speakers are very clean sounding speakers so when everything is right you can listen at decent levels as long as you want with no fatigue. Anyone who has negative comments on Trios have never heard them set up correctly with the right gear. I think with the duos it would be better to separate the subs. The best spot for the horns is not necessarily the best spot for subs. Doing this eliminates the discontinuosness people sometimes complain about with Avantgarde horn/subs. This also isolates the low frquencies from affecting the horns. My Viva is only half the power of your Cary and can play at concert levels if needed. Don't try this though it will damage your hearing. The Cary was a little noisy with my Trios. They are higher sensitivity though. It won't be as noisy with Duos. I think you might be happier with a ART PX-25, 300b or Audiopax. Many other possibilities too. If you purchase Avantgardes expect to put some work into your system, but when you do you will be satisfied you made the right choise. One more thing. My wife that I have ben with for seventeen years has never been interested in sitting down with me to listen for very long. She is a music lover and musician. For the past six months she has been, sometimes to three or four in the morning and I have to send here to bed. To me this means more than anything else. It's easy to get an audiophile to sit for hours and listen to almost anything within reason. But your non-interesed wife.
Sdrsdrsdr, I don't know how you can make the comment, "Anyone who has negative comments on Trios have never heard them set up correctly with the right gear." You may be more easily satisfied.

I managed to deal with the bass pretty well, but the standard four box woofers are really not very good, as my friend in Minn. has demonstrated to me. My major problem with the Trios, is their discontinuity. Instruments with a broad range moved at the frequency was cover by one driver and then another.

Also, the horns themselves vibrate which resulted in some smear in the sound.

If you have a room larger than my 18x28x12 foot room, perhaps you could get a more integrated sound.