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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
rok2id's avatar
rok2id
7,823 posts
 
Tired of all this 'serious' discussion? Don't really care what Coltrane was trying to say? Who the hell is Sun Ra? Think 'Free jazz' is a little 'too free'?

I have the cure for what ails ya!

Louis Jordan -- Five Guys Named Moe (vol 2)

I remember hearing this music when I was pre-school age. I remember hearing my parents talk about Jordan. This is just music to be happy. As a bonus, there is a duet with Louis Armstrong. Pops plays a little trumpet also.
On the tune 'Open the Door Richard' I remember hearing the line "I know he's in there, cause I got the clothes on" hahahaha That is as funny today as it was back in the days of the 78rpm records. Get this and forget all your troubles.

Cheers
rok2id's avatar
rok2id
7,823 posts
 
Stanley Turrentine -- Hustlin'
with/ Shirley Scott, Kenny Burrell, Bob Cranshaw, Otis Finch.

This is what they call 'Soul Jazz'. This Cds is very smooth. Music to think by. No fireworks here, but things really move along. Had a hard day, wanna unwind and just meditate and think? This is the type Jazz you need. Scott (stanley's wife), is very effective on organ.

This is not Jazz for a club or a concert hall. It's Jazz for the home. With someone, it's even better.
They even dip into Dvorak's New World. Dvorak and Lloyd Price? That's covering the waterfront.

Alberta Hunter, Lucille Hegamin, Victoria Spivey -- 'Songs We Taught Your Mother'

Well, we have a Tuba, A clarinet, J.C. Higginbotham and Willie 'The lion' Smith. We know what this means. This is old school music, even by my standards. But, I love it. The word that flashes in my mind when I hear it is, 'Home'. These ladies are up in age, but they sound so natural. All the tracks seem to be the blues, but since it was in the Jazz section of my rack, it will be Jazz for today. Good sound. Recorded in 1961. Very slight tape hiss on some tapes. Not objectionable.

Cheers
frogman
7,364 posts
 
Charlie Mariano, my favorite alto player, and one who slips under the radar way too often. Clearly a bebopper, he covered a lot of stylistic ground including Middle Eastern (we won't go there again, Rok) in his later recordings. But, his recordings from the fifties are straight-ahead and beautiful. One can hear the Bird influence in the shape of his lines, but unique in the choice of notes within those shapes. A beautiful player:

http://m.youtube.com/watch?v=56m5Vre5h6U

http://m.youtube.com/watch?v=RheQyi5KuRA
frogman
7,364 posts
 
Another overlooked great, and one of the most interesting and unusual (in sound and concept) tenor players was Warne Marsh. A West Coast player who was one of the main exponents of the Cool School and a protege of the great Lennie Tristano. His use of the piano-less rhythm section was a testament to the great command of harmony that he had. One of the true tests for a jazz player, and considered by the players themselves one of the things that separates the "men from the boys" is the ability to improvise over a tune without the "crutch" of the piano's harmonic underpinnings.

http://m.youtube.com/watch?v=4Y_8UYtd2K4
rok2id's avatar
rok2id
7,823 posts
 
I heard Marsh Play 'body and soul' with Kenny Drew. I also listen to Marsh and Konitz on "donna lee'. I was surprised. I actually enjoyed them both. I will defer to you on the technical analysis, but if I did not know who was playing, I would have thought it could have been any number of the Blue Note era guys. Thats tall cotton in my world.

I also heard Gonzalo Rubalcaba play 'donna lee'. Both were great. When you can hang with the big boys, there is not much more to be said. The individual differnces and nuances are what makes it all so great.

I will listen to Charlie mariano and report. I see his name is associated with 'world music,' ugh! But I will persevere :)

Cheers
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