This weekend's playlist:
Eddie 'cleanhead' Vinson & Cannonball Adderley -- Cleanhead & Cannonball
Cleanhead sings, Cannonball Quintet plays. It just, does not work. This probably looked good on paper. They both do their respective things well enough, it's just not a good pairing. The Quintet just does not have the proper sound and instrumentation to back a blues shouter.
This would have been better with a Carmen McRae or a Nancy Wilson type singer, or Basie backing Vinson. On the track 'Audrey', Cleanhead tries to be a crooner. A total disaster!! You're a Shouter, not a Crooner!! (full metal jacket) Ain't got it? You don't need it.
Count Basie (w/ Joe Turner & Eddie 'cleanhead' Vinson) -- Kansas City Shout
After the disappointment above, I moved down the shelf to Basie. He has Cleanhead and Joe Turner. Both guys sing great. Turner is showing his age, but that don't matter!! Great selection of tunes. Some of the same tunes as on the cannonball CD. As you audiophile folks say, 'Night and Day' !!
As an added bonus, you get to hear the Basie Band, The Basie Quartet and the Basie Trio. Great playing. Basie gets to stretch out on piano. Wow!!
Favorite blues line? "woke up this morning, got me a jug, and laid back down". hahahahahahaha It's called the blues! (With all due respect to you clapton and canned heat fans). I love this stuff. Ain't got it? You know the drill!, Git it!!!
Art Blakey's Jazz messengers -- Ugetsu
The messengers live at Birdland. Way above average for the Blakey group. Hubbard, Shorter and Curtis Fuller (trombone) on the horns. Good atmosphere. Art played the entire set without taking a solo. I think that's good. Those guys should concern themselves with keeping time. I feel that most drum solos just disrupt the flow of the music. Recommended.
Roy Hargrove -- Roy Hargrove's Crisol : Habana
This is what is called a GEM!! Roy Hargrove and his quintet in Cuba. WOW! This is well played, well written music by a semi-large group of professionals.. 10 members. The percussion playing is awesome!!
A lot of big time guys on board. Chucho Valdez, David Sanchez, Horacio Hernandez, John Benitez, Russell Malone and others. No one person dominates. Everyone gets their time. Even Chucho is under control, at least until the last tune. He wrote it, called Mambo for Roy. Great stuff.
Horace Silver -- The Hardbop Grandpop
Not BlueNote. But Impulse is close enough. This could easily have been recorded in the 50's. Silver has not lost his touch.
Roditi, Michael Brecker, Steve Turre,. Ronnie Cuber, Ron Carter and Lewis Nash on board. My worst fears were not realized, they all meshed and played beautifully. Recorded 1996. I guess we can call it Late Silver.
I hope someone finds some of these to their liking.
I refreshed my memory of 'Search for a New Land' this morning. You are right about the visual images of looking or searching for something. I am always amazed how groups as small as Jazz quartets or quintets can paint such vivid mental pictures with so few people. Reminds of what Churchhill said about the RAF.
My Playlist for Today:
Buena Vista Social Club
Afro-Cuban Jazz. I think there was a documentary done about this group on American TV. Great music and singing (ibrahim ferrer) Some repetitive background vocals, as in all latin Jazz, but not overdone. The first track Chan Chan is the highlight, but all are excellent. Great sound also. All in Spanish, but with music this great, it is really the international language!
Art Pepper meets The Rhythm Section
The title refers to the Miles Davis rhythm section: Red garland, Paul Chambers, Philly Joe Jones(the coolest moniker in Jazz)
After reading the premiss of this session, I thought they could have named it Custer meets Sitting Bull and friends. But Pepper held his ground and then some. A great CD. Not a weak track. I thought 'straight life' was the highlight, but 'imagination' was up there also. Pepper had a very tough life. A great sax player. Died too young. They met each other for the first time the same day they recorded this CD. No rehearsal. Amazing!
Patience Higgins' Sugar Hill Quartet -- Live in Harlem
This is the Cd I spoke of earlier. Never heard of these guys. Only this CD shows on Amazon. No reviews. So I wondered why I bought it in the first place. Turns out I read a review in BBC Music Magazine. A British classical music Magazine! What a sign of the times! Wanna find the gems in American music, check out Classical music mags from England.
This is a Mapleshade recording. 1998. It sounds REAL. Not perfect, but Real. It's like you are there in person. You hear it all, warts and all. My only complaint is that the bass player is too subduded. It was recorded in a place called ST. Nick's in harlem. Very tiny. Rowdy. If you youtube these guys and listen to 'isn't she lovely' it will look like chaos, but it is really the type of enviroment that great Jazz springs from.
Anyway, they can play. This is real Jazz. The guys are older, if they had been young I would have said 'THE FUTURE'! Some female sings 'Route 66', no ella or billie, but she is REAL. Check it out!
The CD sounds much better than the stuff on youtube. Better music selection also.
BTW, Wynton seems to be Gaining and Losing. Weight and hair!
I had to laugh out loud at your Miles Davis story. I could almost see it.
The links worked the second time. VIVA CUBA!!!
What was that 'toy' saxophone? Soprano?
The best music videos ever??
She is neither native Amerrican or even American. Google says she is from Norway. Lapland?? Nice Music anyway.
Today is the first anniversary of this thread. We seem to be on our last leg, but we made it. :)
***Okra in a taco?****
Okra in anything is GREAT! One of my favorite foods.
****Was this a set-up, Acman3? :-)****
If it was, it was lost on me. I had no idea they had exchanged 'pleasantries'. But, it is good to know, that Wynton has returned fire.
****In most respects any comparison of the two players is as pointless****
Not to mention being an insult to Marsalis. You want to compare him in a manner to show he has weakness, let's try Hubbard, Morgan, Miles. Not Lester Bowie!
****is as absurd as claiming that Stravinsky is not worthy to be considered one of the great classical composers.*****
This is the ONLY thing you have ever said, ever, that I just don't get. I think the statement in the previous post was "Stravinky ranks right up there with Mozart"!! You cannot be serious!
****For this listener it's fairly simple: the Lester Bowie clip had me truly engaged; I wanted to hear it in its entirety. Why?....considering the funky (as in bad) trumpet playing. Hard to put into words. First of all, that kind of playing requires a certain level of skill and control in order to "sound bad" (hang in there, Rok). Maybe it was the undeniable humor in his playing. But, I think most of all it's something that is impossible to really identify. IT JUST DID. The vibe, the timing, the unpredictability, the occasional and unexpected references to the traditional simply did the job of telling a convincing story that made me want to listen from beginning to end.****
It is true that some things can be so awful you cannot turn away.
I think Mozart did a piece called, or subtitled, 'A Musical Joke" He may have broken every 'rule' in classical composition, but, its's a nice piece of music. It's still being recorded today.
The Bowie thing was just noise.
It's funny, only if you knew a Great trumpet playing was messing around. Since I have never heard of this player, I took it different, even though I knew it was supposed to be funny. And I responded in that manner.
Besides I am not trying to judge this man's entire career on one throw-a-way tune. That is the only thing I have ever heard him play.
****There is no "jealousy" involved here and to suggest otherwise is plain silly and a smoke screen.*****
I meant his peers, not you personally. And to suggest otherwise would indeed be silly. You should know this better than the layman.
We really have no disagreement. I think we both know where the two players stand in Jazz.
Why is Jazz the only genre where the music has to undergo constant change or so-called 'progress'. Folks have no problem listening to Bach, Mozart etc... for centuries!!
Listening to Cab Calloway do 'minnie the moochie' on pbs as I type. It don't get any better. How you gonna 'improve' it?
******That was not the point*******
I know it was not your point. Just getting in a plug for the good folks at Mt Horeb. :)
Being the Gentleman that I am, ladies First.
Billie Holiday -- Songs for Distingue Lovers
Harry 'sweets' Edison / Ben Webster
Her voice is beginning to go. BUT, Billie on her worst day is better than 99% on their best day. I visualize her looking me right in eyes as she forms the words. Moonlight in Vermont. WOW!
Sarah Vaughan -- How Long has this Been Going on
Oscar Peterson quartet (louie bellson)
She just puts on a display of what she can do with her voice, which is anything she wants to. I like the title track most. Member of the Top Three. More mellow / laid back than Ella.
Ella Fitzgerald -- A Perfect Match
Count Basie Orch
I love it when she says 'thank you, thank you, between numbers. She sounds just like a little girl. I just don't have the words to do her justice. If you don't smile when she is singing, you have a problem. The perfect voice. And she loves to sing!
Dee Dee Bridgewater -- Love and Peace
Horace Silver / Jimmy Smith
This is what you call a Tour de Force. Brilliant Jazz vocals to go with brilliant Jazz music! What they call cooking or smoking Jazz.
Listening to all this wonderful music leaves me sort of sad. We will never see / hear the likes of them again.
4 down, 996 to go. just kidding hahahah
I am glad you started this thread. My collection runs from Adams, Pepper to Young, Lester. So I will have to give it some thought. Of course I think they are all 'must have'
I did listen to the MOANIN" cd tonight. We tend to remember the 'hits' from these CDs and tend to not remember the other tunes, or the inner work going on within the 'hits'. 'Sidewinder' and 'Song for my Father', are other examples. The soloing on Moanin' by Morgan and Timmons is just awesome! Those are the details we tend to forget. Morgan is one of my favorite trumpet players. I love the way he bends notes. My next favorite was Blues Walk.
Will submit my 'Must Haves' later.
I may have underestimated this young lady.
Good call on Take 6. I have that CD and never thought of it earlier when I sent my recommendations.
They didn't live up to their potential. IMO. But 'MARY' is great. I expected them to be a better version of BOYZ II MEN.
Some folks think Jazz is just any improvised music. Jazz is rooted in the BLUES. That's the part that the current crop of Jazz folks don't get. Louis Armstrong put it this way: If you can't dance to it, it ain't Jazz.
I wish I could like the current stuff. The technology is better. That should result in better recordings. But what's missing is the essence of Jazz music. They improvise, but they are not improvising over the blues. They are trying to be too 'cerebral' or 'intellectual' too 'deep'. It's a happy party time music. Played is speak easys and cat houses. It's about women and love and sex. The boys from New Orleans would not even recognize this current day stuff as Jazz.
Amnother factor is the people who determine the path that the arts take. SOMEONE has to record these people, give them awards and sing their praises, they decide what popular music is and will be. I just got a CD yesterday from Amazon. As good as anything out of Blue Note back in the day. I never heard of them. I don't even remember why I bought it. No reviews on Amazon. Totally ignored by the media and the trend setters and opinion makers. But they can play! I will 'review' the CD tomorrow.
One man's opinion
"Reconstruction for many was actually worse for a large portion of the populace. The delta changed very slowly following emancipation and so much of the blues was from juke joint to juke joint. To say it was about entertainment is to ignore the downtrodden, sharecropper who worked 6 hard days tending his crops and the outlet that a Saturday night at the crossroads was for his sanity."
This may be true, but I am failing to see your point. Times were hard and people went out to juke joints to drink and try to get lucky and be ENTERTAINED. Other people during these same hard times, went to other places to be entertained. Maybe by country bands, bluegrass, fife and drum or to watch MGM musicals. People have always sought escapist entertainment. Even to this day. The blues was / is not protest music.
It is very disrepectful of the blues players talent and creativity, to say that some how he would not have been able to do it without slavery. That's absurd. Esp when it comes to African-Americans, who are some of the most creative folks on the planet.
I got off the Coltrane train after, A Love Supreme. Or there abouts. Miles left me after Bitches Brew.
I guess we can't like it all.
"I was basically trying to point out that most important musical innovations were heavily influenced by the social environment of the times, positive or negative"
Well of course. This applies to all artist, from Mozart to Fred McDowell. BTW, Louis Armstrong was reportly to have said, that if there was no segregation in New Orleans, all the black guys would have joined the bands playing Sousa, and there might not have ever been this thing we call Jazz. :) Of course, I beg to disagree. Can you imagine Sousa in a whorehouse!!
I consider the Pat Metheney thingy to be mood music or sound effect music. Sounds like a lot of European Pop did back in the day. It also reminded me of the blue alien singer on the space ship in the movie 'the fifth element'. No offense, I thought she / it was great. Wes was playing Jazz. They even DRESSED as if they were Jazz players. Ever notice how real Jazz players wear suit and tie. They do that because it shows respect for the music. Pat and his type don't do it because they don't respect the music. Because they may not understand the music. Like I have said many times, they think Jazz is whatever they want it to be. I wish I could bang tin cans together, call it my First symphony and have it sold in stores right next to Mozart and company. It just don't work like that! Metheney, good sound? Yes. Jazz? No. Of corse let me quickly add, IMHO. Don't wanna come under elitists gasbag attack. :)
O-10: I mentioned Carmen several threads ago. I have 5 or 6 of her CDs. One with duets with Betty Carter. Great voice. What are her somecomings? Not a thing!! Except having the same profession as Ella, Billie and Sarah. :( I have a CD of her's entitled 'Carmen Sings Monk'. Most folks can't even play Monk (including his band) and she SINGS him. She is great on the Monk CD. Top 5 for that alone. :) All the divas are just treasures. I love them all.
Dtc: I have most of what you listed. All must haves. I have a few of Kid Ory waiting in the Amazon 'save for later' file. I was concerned about the sound quality, But I'll take your word for it. Not having Ory, is almost like not having Armstrong! Charlie Parker played a borrowed plastic sax on the Massey Hall CD. hahahahaha
******Frogman wins by a TKO.*******
Curses, foiled again! I was robbed! Rematch?
O-10, as usual you have restored order and reason.
Just as I was about to anoint Lee Morgan King of Jazz trumpet, I put 'Sketches of Spain' by Miles Davis in the player. Order is now restored. I sat there mesmerized. One of Miles' Best ever.
Mingus at Antibes
I almost called 911. These guys are on fire. I don't think even they could do it again. The perfect storm. Now, this is improvised music at the highest level.
They were really out there, BUT they always had both feet firmly planted in the delta. One foot in a Juke Joint, and the other in a Baptist church! That's the difference between this improvising and this modern free Jazz stuff. The current stuff sounds sterile in comparison. Ain't got it? Git It!
Frogman: Well done. Thanks for the info. Nice to see that your expertise extends beyond strands of metal. Notice, I did not use the 'W' word. :)
Monk and Coltrane at carnegie Hall. Great music, listening to it now. It also has a very good booklet with pictures and other details. I love the details. The recording is indeed very good. I wonder why so much of the 50's era Jazz sounds so good. A Classical recording from that same era would more than likely sound like crap. Anyone with the answer?
Did you notice the poster in the booklet announcing the concert. It says:
Date and Time and lists as performers, Billie Holiday, Dizzy Gilliespie, Ray Charles, Chet Baker with Zoot Sims, Monk and Coltrane, and Sonny Rollins. The price is: $2,$3,$3.50 and $3.95. (tax exempt contributions) Amazing!!
Side by Side -- Duke Ellington and Johnny Hodges
Another very good recording. Great music also. A rare chance to hear the Duke play extended solos on piano. The liner notes on this cd have to be read using a microscope.
Oh how I long for the days of the LP jacket. I wish that turntable that read LPs with a laser had worked out. That would been the perfect solution. Nice big art and notes.
Jafant: The entire decade was a golden era. I guess all things follow a predictable tracjectory. I feel we are now on the downward slope. :( We can be glad we are living during this time. At least as far as music is concerned.
This thread has caused me to really explore my collection.
" The members of my group and I are attempting a breakthrough to a new, freer conception of jazz, one that departs from all that is "standard" and cliche' in modern jazz."
I guess you could say he has made a lot of noise in this area.
Original Broadway Cast Recording
The Music of Thomas 'Fats' Waller
Wonderful and Funny. The singers and the band are almost as one. very tight! Waller is one of the most prolific Jazz composers ever. You may be surprised at some of his songs. Also a great Pianist. He was very funny, so I don't think he is taken 'serious' today. What with all the 'cerebral' stuff out there now. This stage performance was not video taped, so no DVD. That is criminal. 2CD set.
Nell Carter leads a great cast.
Roland Kirk -- Domino
Surprisingly (to me), very good. Not only can he play several instruments, but plays them very well and all at the same time. '3-in-1 without the oil' is just great. Herbie Hancock, Andrew Hill, Wynton kelly and Roy Haynes provide support. Great feel-good music. I will have to get some more Kirk.
Lambert, Hendricks & Ross -- Sing A Song of Basie
Precursors of groups like Manhattan Transfer, but a little more Jazzy. Backed here by the Basie Band Rhythm section. When it comes to Jazz singers, the backing group is EVERTHING.
'Everyday' and 'Cloudburst' are the highlights. 'Going to Chicago' is not included. :( Nice light fare.
An interesting photo inside the CD case. LH&R gathered around what looks like a kid's toy record player, listening to music on LP. Critical listening. I feel better about my YORX now.
Mr Jones does in fact play on the disc. Piano.
I am so nutty, that I buy some CDs that I know I won't like NOW, but maybe I will in the future. Also, if it's considered a great or landmark recording, I want to have it. Same with Classical. So one day, if my theory holds, I will be jamming to Coleman and Dolphy etc.... Musical taste does change over time.
Live at Newport '58 (Blue Note 98070)
This a CD is live with senor blues on it.
"Mr. Kirk. Adventurous, but always musical and grounded in gospel and blues"
And that is what will keep me away from Braxton and his friends. They don't seem to be grounded at all. I have three pristine Ornette Coleman CDs. Played once! :)
All the so-called latin stuff is derived from people of African decent. Even is places like Peru.
There YOU go again misunderstanding my post. By use of the word 'stuff', I was speaking of all latin Jazz. This is a JAZZ thread. On ocassion I have said 'all the Blue Note stuff'. Don't be so quick to pounce! I try to be concise and precise.
Take away the African component of all Latin Jazz and what is left? Don't say Indian and spanish. Andean music? I am sure they have some form of folk music. if fact I used to see them play on the streets of Nurnberg, Germany for donations. The Germans found them exotic. The difference is, some music travels and conquers the world, and some never leaves the village.
We have no disagreement, you just did not think about it the correct way.
Anyone ever go back thru all the posts on this thread and play the clips presented? Some great stuff! I just finished listening to and watching Jesse Cook. Presented by O-10.
Try it sometime.
To clear the air:
I was mistaken when I refered to the Buena Vista Social Club Cd as Afro-Jazz. My mistake. No where in the documentation that came with the CD does the word Jazz appear. I loved the music whatever it is, and I am sure it's african based. My ears tell me that. And that is my only point. It is not spanish and the indians were wiped out eons ago. So what could it be? I will not considered those pesky aliens from the crab nebula.
I will answer your other 'points' in a while.
************ Yes, ignorance is true bliss, and I've always liked the happy people.*************
Thanks, I think?
Laughin' to keep from Cryin'
Lester Young, Roy Eldridge, Harry 'sweets' Edison
No fireworks, just the best Jazz ballard playing possible.
Lester Young is one of the true Giants of the music. Even plays Clarinet on a few tracks. And how can Eldridge and Edison be on the same record? Amazing! Good sound. 1958 / 2000.
Lou Rawls and Les McCann
Good song selection and backup. A young Rawls. He will get better later, and make these songs his own!
Mary Lou Williams - piano
Short pieces named after the signs of the zodiac. Some alternate takes. Sound not the best. Piano does not sound like it's in tune. Could be just the recording. Recorded in 1945. Smithsonian / Folkways. Did not make a great impression on me. The professional critics loved it.
Bernard Purdie's Soul to Jazz
with Eddie Harris, the Brecker Brothers and the WDR Big Band
The song lineup would lead one to assume this would be one of the best CDs ever. Includes everything from 'Senor Blues' to 'When a Man Loves a Woman'. All 13 tracks mega hits in their own right.
The problem is, the WDR big band is the, Westdeutscher Rundfunk big band. I know they can play, all the radio bands can, they just can't play Jazz. Should stick with Strauss. Prudie is a drummer and has some resume, played with Aretha and Miles. But the American talent is let down by the arrangements and the band. The producers are named Wolfgang and Siegfried, that should have been a red flag. Very nice album art and foldout. I have had this several years and never play it. Just reminded myself why.
Senor Rodiguez is quite the virtuoso. Jazz? If you insist. It could have come from a practice book. The Goldberg variations of the Jazz world?
The point is this. If someone wants to play a Jazz number with a 'spanish' or 'arabic' or middle eastern motif, that does not mean those types of music are the building blocks of Jazz. A lot of Jazz has been played with spanish and middle eastern motifs. Written and played by people in the USA. Even in New Orleans! if means nothing. Like Dvorak and his 9th. American themes, indian and black. Does that mean Indians and Blacks or Americans are components of the essance of european classical music?
I can sing the Star Spangled Banner in German. Means nothing. It does not make it German music.
I listened to Nina Simone today. The Philips recordings 'Four Women'. All the usual adjectives just don't seem adequate. This is really some seriously great music / singing. She makes even pop songs special. The wife and I sat down and listened to all 4 CDs without break. It is that good. What a talent!
Better get it before it's listed by 'these sellers' for 900 dollars.
I have about 5 of the Chucho Valdez CDs. He is a good player. As you said, without qualifier. I don't have him with the Afro-Cuban messengers, but I did listen to him 'At the Village Vanguard'.
I was so moved, I thought I was back in Baghdad or Seville or some other hot-bed of Jazz.
Get the Nina thingy. You won't be sorry.
"Ok, take away the Spanish, and Arab components and what is left? Drumming?"
You might want to reconsider this.
Jazz was created by African-Americans. Not folks in africa. We are talking about people of African decent. Pay attention. Guitars? other instruments? That's not 'influence'!
Influence is when one thing changes another. Show me how Arabs have changed Jazz. Spainards. Really? One example of influence and change: Be-Bop! Dizzy and the boys started playing it, and almost everyone after that began to play it also. There was no law that said they had to, they were 'influenced' by the new music.
Individual players can be influenced quite easily. Miles with the fusion thingy. All he did was open the door for a lot of no talented wannabes. BUT JAZZ is an entire genre. It's not as easily influenced. The main thing about influence is this, once influenced, you never go back. Being the maker of certain instruments does not qualify as influence on the music played using those instruments.
Dizzy went to cuba a lot and played with cubans. He may have cut an Lp or two. That is not influence. Unless he played with latin motifs for the rest of his career. Otherwise it was just a project to cut a LP. Something new.
Duke Ellington went on a tour of the middle east to find new music and cut some LPs based on the music. He wanted to improvise over all the different types of music. But, he said it all had a 'sameness' to it. So he made the LP, but not the one he had invisioned. He then went back to being The Duke! He was not influenced! Just a project that didn't work out as he thought it would.
Influence does not mean playiong latin music or playing with different instruments or singing in a different language. Influence is much much more. It changes how composers think in writing the music. It changes the creators. It changes the trajectory of the entire genre.
As far as I can see be-bop has beee the only real change to Jazz. Hard bop is just a natural progression of bop. All this avant garde, and free stuff are just failed efforts to change the tracjectory of the music.
The Arabs had nothing to do with it. hahahahahahahah I always thought they beheaded folks for even playing music. I know the taliban does.
Using your line of logic, we could say, the Big Bang has had the biggest influence on Music. Lauds INDEED!
It's sort of like politics. Either you define and defend yourself, or others will do it for you. 'Others' are trying to define Jazz. Although the odds are overwhelming, I for one, am going down swinging. 'Others' have already destoryed: Rock & Roll, Gospel, Blues, R&B, Country and Western, and Country. Jazz and Blue Grass are now under attack and have been for a long time. Once they go under, that will be the end of AMERICAN music. We will be a big ball of diversified multicultured, internationalist noise.
Classical is under attack also, but it's not American in orgin. Who is attacking this music? The below average, The average, the wannabes, the non talented, the 'if they can do it, I can do it', the 'I should be able to be WHATEVER I DESIRE to be' crowd.
Buy and enjoy the good stuff while yuu can.
I knew my ears were burning this morning for some reason . WOW! They really worked me over. That CHAZRO is a caution, ain't he? You would have thought that a guru from stereophile had been spotted in bestbuy, the way he was howling and foaming at the mouth.
Archie Bunker?? I think I remeber him. All in the family. He was the one with the JOB. It could have been worst, he could have called me The Meathead!! And all this over a 'discussion' to which he was not even a party. I hate to think what would happened if anyone spoke to him directly.
"There is no one on this board anywhere near as knowledgeable as Frogman in the subjects you have been trying to argue about with him."
According to....??????? And exactly what 'subjects'. I hope he is not 'self appointed' If he has a position, he should have kicked his credentials.
You are a Sage.
I was just listening to Nina the other day. I have the CD with the LPs, 'In Concert', and 'I put a spell on you'. She was not known for biting her lip. very outspoken. Always spouting those inconvienent truths.
I also have Nina's, The 'Four Women', four CD box set. Beautiful packaging. I will have to listen to it and report. It's said that the 'Coplix Years' is the best set. We will see.
Very nice stuff. Interesting both musically and historically. Let's just pray that his technique on horn is up to par. I would hate to see him suffer the wrath of Learsfool!
You are correct he is a great player. Awesome tone and phrasing.
I noticed two things from what I have been able to read. He didn't seem to record a lot as leader and then not with the major labels.
The second thing is, he is called underrated, invisible, under the radar etc.... on a lot of reviews. I don't understand that at all. You can't be this good, and invisible an entire career.
I did listen to Dear John C on youtube. I will try him out. 'Boston All Stars' or 'Charlie Mariano Plays'. both seem to be from his best period.
Thanks for the info.
It's honest. Comments about the slaves and drums etc.... remember?
Well, your 'credentials' are very impressive indeed. You should 'kick' them more often. For now on, I will know from where you speak. So now, we have you on music and almarg on the techie stuff. It's good to have real sources on this site.
I, on the other hand, am still left with my personal preferences in music. And my determination to stand up for what I feel is truth. I withdraw all the historical blunders I may have made. Just one thing in closing, the great Jazz Violinist, Stephane Grappelli, while being interviewed about his career, said that he thought he had made a contribution through his playing, but that he never forgot that, it(Jazz), was a Black Art Form. And that was my only point during the entire 'discussion'.
I am glad to know we have a source (goto guy), for music now. Thanks for the post.
BTW, I read liner notes after I buy. I don't rely on them to make a purchase. I just like to read details of the recording and the artist. I used to do that with LPs. Liner notes and album art have caused me to buy many LPs. But they only cost $2.50 at that time. That Nat Hentoff has gotten many a dollar out of me.
I have Album Album on lp. But I have not played Lps since around 1987. So, all memory of it is gone. I will look for it on CD. I once thought I had replaced all my good Jazz lps with CDs, but I am learning everyday that I have not.
Dancing around? I would hate for video of me when I am listening to be shown. That's the best part of this game.
I hae nothing by Purcell. Not even on my World Saxophone Quartet Discs. He played with a lot of big time people.
Stanley Turrentine -- Hustlin'
with/ Shirley Scott, Kenny Burrell, Bob Cranshaw, Otis Finch.
This is what they call 'Soul Jazz'. This Cds is very smooth. Music to think by. No fireworks here, but things really move along. Had a hard day, wanna unwind and just meditate and think? This is the type Jazz you need. Scott (stanley's wife), is very effective on organ.
This is not Jazz for a club or a concert hall. It's Jazz for the home. With someone, it's even better.
They even dip into Dvorak's New World. Dvorak and Lloyd Price? That's covering the waterfront.
Alberta Hunter, Lucille Hegamin, Victoria Spivey -- 'Songs We Taught Your Mother'
Well, we have a Tuba, A clarinet, J.C. Higginbotham and Willie 'The lion' Smith. We know what this means. This is old school music, even by my standards. But, I love it. The word that flashes in my mind when I hear it is, 'Home'. These ladies are up in age, but they sound so natural. All the tracks seem to be the blues, but since it was in the Jazz section of my rack, it will be Jazz for today. Good sound. Recorded in 1961. Very slight tape hiss on some tapes. Not objectionable.