Radio Shack SPL Meter mods corrections


I know that others here were interested in the specs to correct the non-linearities of the factory stock RS SPL meter. The figures below are to be either added to (+) or subtracted from (-) the readings that you obtain from your factory stock meter. In other words, the meter in stock form is EXTREMELY deficient when it comes to taking low frequency measurements. Keep in mind that these corrections are only valid under the following conditions. The meter must be set to C weighting, using 1/3 octave pink noise (easily available from various CDs), with the mic pointed at the speaker. These measurements were verified on both the RS analogue and digital meters using laboratory grade test equipment. Baseline testing was done using the 80 dB scale for reference purposes. While on the low side, this should give you a good baseline as to what your actually getting out of your system. Needless to say, if you had BIG peaks in the bass region with the stock meter and you weren't calculating in these correction figures, you're in even worse shape than you thought.

10Hz +20.5
12.5Hz +16.5
16Hz +11.5
20Hz +7.5
25Hz +5
31.5Hz +3
40Hz +2.5
50Hz +1.5
63Hz +1.5
80Hz +1.5
100Hz +2
125Hz +0.5
160Hz -0.5
200Hz -0.5
250Hz +0.5
315Hz -0.5
400Hz 0
500Hz -0.5
630Hz 0
800Hz 0
1KHz 0
1.25Khz 0
1.6KHz -0.5
2Khz -1.5
2.5Khz -1.5
3.15Khz -1.5
4KHz -2
5KHz -2
6.3KHz -2
8KHz -2
10Khz -1
12.5KHz +0.5
16KHz 0
20KHz +1

In order to correct the low frequency roll-off, you can do the following modifications to your meter. This will make the meter FAR more sensitive to low frequencies and allow measurements with very good accuracy to well below 20 Hz. Due to the increased sensitivity at very low frequencies, it is possible for low frequency "thumps" to slam the meter if using a very low SPL setting. In order to prevent meter movement damage, take precaution not to peg the meter off scale on a regular basis. If this is occuring regularly, you either need to move up to a higher SPL range on the meter or take more caution as to how your performing your tests.

All of the following capacitors must be rated for AT LEAST 15 volts or so. Size does matter, so try to use the smallest package possible.
C1 & C2 are changed from 1 uF to 10 uF
C3 & C4 are changed from 1 uF to 47 uF
C7* is changed from 10 uF to 220 uF
C8 is changed from 100 uF to 470 uF
C9 is changed from 22 uF to 220 uF
C15 is changed from 100 uF 220 uF

While all of the above parts are spec'd as microfarads, the following is in picofarads. Do not confuse the two values or the meter will not work very well at all. This last change helps minimize high frequency roll-off that is inherit in the stock microphone

C12 is changed from 33 pF to 12 pF.

Please note that all of the above parts can be soldered directly in place of the originals EXCEPT C7. Due to its location, a "normal sized" 220 uF cap will be too big to allow the case to close correctly. In order to get around this, simply solder it on the "solder side" of the board instead of on the "parts side" of the board. Pay special attention to the POLARITY of ALL of the caps as you pull them out to replace them. For this reason, i recommend pulling and replacing the caps one at a time to minimize confusion. Once all of these mods are done, the meter is more than accurate enough for anything that a home audio enthusiast would ever need use of. If you really want to "get crazy", you can remove the factory installed mic and either remotely mount it on a "wand" or make use of a calibrated mic like those available from Old Colony.

I hope this helps some of you out and sorry it took so long to dig all of this up. Sean
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sean
I have a RadioShack 33-2055 digital meter and the values of the caps are completely different. Anyone know if the mods will still work?
Thanks, but which version of the analog meter are we talking about? When this article was originally written, no part number was specified, and for the current analog unit, 33-4050, bob said the cap values are also different...

Thanks
RS makes or made both an analogue and a digital meter.....
I don't know part #s.

The analogue meter is the match for the Rives disk.
So now I have both the analog and digital meters, and they both read the same with every frequency and any test CD, therefore, the corrections apply to any RadioShack meter (and I am only going to keep the digital). Moreover, the capacitors in both are different than the original post, therefore, it's currently questionable whether the surgery will achieve the desired results. BTW, thanks for the pointer to the Rives CD, which I also obtained.

So I believe the Rives CD indeed corrects the curves of both of these meters as advertised (I can only really confirm this by ear at the very low end of the spectrum, < 30Hz, where in fact 20Hz and 25Hz tones do indeed sound much louder than measured with the uncorrected tones), however, there is a major difference and issue when compared with the Stereophile CD... Namely, I get smoother readings with Stereophile's warble tones than Rives' pure sinusoidal (uncorrected and corrected) tones, and in fact, if I move my head around I get cancellations in lots of frequencies with the Rives, and this is verified with the meters as well (wild fluctuations, especially at the reference tone of 1kHz - as much as 10dB).

So despite the fact the Rives CD corrects the errors in the SPL meter, positioning of the mic is extremely critical, down to fractions of an inch, in my room.

So, the question is - in general, are warble tones the better approach to measuring level, or not, and why? Any idea why Rives didn't use warble tones? As good as Rives' idea was to correct the meter's curve, I think they missed the mark by not using warble tones, and in that case, we can just play the Stereophile warble tones and adjust the readings manually by applying the diffs in the original post herein.

Thanks