Anyone have 'stereo blend' control experience?


I'm interested in any details anyone may be able to provide concerning 'stereo blend' controls, for progressivly reducing a 2-channel signal down from full separation towards a mono blend, presumably through cross-mixing.

What older equipment might you be familiar with that featured such a contol? Did any incorporate a 'defeat' provision, or was the control always in the circuit? If you ever used one, how well do you remember it working?

Do you have any electrical design knowledge of previous implementations of this idea, or suggestions on how to make one? What kinds of parts were used in any older designs you may have seen? Do you know of any schematics?

I realize this probably was a pretty obscure feature even in its day, but maybe some of you more, ahem, experienced hands out there know what it is I'm talking about. TIA for any info!
zaikesman
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My long gone Dynaco PAT4 preamp had stereo blend but I can't remember exactly what it was for. Maybe for their three speaker with center channel application that was supposedly specially suited to the Dynaco A-25 speakers. Whenever I used it in two channel I had the eerie feeling it was neither stereo nor mono and that made it seem strange. It wasn't progressive, just on or off. I'll betcha somebody has the circuit diagram for a PAT4 and the directions for building one underneath a pile of old stereo reviews. Good luck in your search.
Hi Zaik
Stereo blend is commonplace in radio reception even today; basically the high frequencies are progressively blended as signal to noise ratio deteriorates. This is easily accomplished via the switching of progressively larger sizes of audio blending capacitance across left + right channels. The larger the cap, the lower the audio frequencies that are blended.
You can probably fabricate an add-on switchbox connected via a tape loop to accomplish this. Use decent quality cabling, capacitors, & hardware of course. If you want to actively buffer the signals for isolation & a better impedance match, vs. taking a minimalist passive approach, then use at least high quality low noise j-fet op-amps if not good discrete circuitry. A sophisticated power supply is also recommended if going active. I'd suggest trying the passive approach initially just to see/hear how it works out.