Eldartford: I see a lot of hypocrisy in stating your musical preference and allowing for disagreement, but then defining "skill", a value judgement, in terms of your own musical tastes.
You claim that this "skill" is manifested in "inventiveness within the structure of some rule set." What makes one rule set better than another? I don't accept that the rule set of "melody, harmony, and rythm" is fundamental to enjoyment of music. That's way to broad. Listen to Gregorian chant, very mainstream. No harmony much of the time. How about Taiko drumming? No melody... Jazz improvisation: No steady rythm here. Why should classical music have to play by some preordained set of rules?
I think us fans of the avant-garde in music respect your tastes; no one is shoving this stuff down your throat. What I have a problem with is your continuing insistance on engaging the fundamental value of this music (please read your previous posts before denying this). There is an argument to be made here, but if you want to make it you're going to have to start working within a more complex musical vocabulary. I think the conversation would be far more meaningful if you would explore the genre more deeply.
You claim that this "skill" is manifested in "inventiveness within the structure of some rule set." What makes one rule set better than another? I don't accept that the rule set of "melody, harmony, and rythm" is fundamental to enjoyment of music. That's way to broad. Listen to Gregorian chant, very mainstream. No harmony much of the time. How about Taiko drumming? No melody... Jazz improvisation: No steady rythm here. Why should classical music have to play by some preordained set of rules?
I think us fans of the avant-garde in music respect your tastes; no one is shoving this stuff down your throat. What I have a problem with is your continuing insistance on engaging the fundamental value of this music (please read your previous posts before denying this). There is an argument to be made here, but if you want to make it you're going to have to start working within a more complex musical vocabulary. I think the conversation would be far more meaningful if you would explore the genre more deeply.

