Parasound HCA-3500, Am I Crazy?


Hello to all,
I recently borrowed a friends Parasound HCA-3500 power amp just for the heck of it. [I was always curious how this amp sounded].
I unhooked my Parasound Halo JC-1's and hooked up the Parasound HCA-3500 in its place.
Much to my shock, there were some things that the 3500 seemed to do better than the JC-1's in my system:
The HCA-3500 actually sounded more transparent, open, and more extended on top than the JC-1's! This was especially true at lower volume levels.
The HCA-3500 also seemed to have a deeper soundstage, and a blacker background.
The JC-1's seemed superior in most other regards, however.
The JC-1's sounded smoother, cleaner, had slightly more body, more detail, and better bass control than the 3500.
The 3500 did sound a touch etched and slightly grainy, but it sure sounded damn clear, open, and transparent!
How could this be?
Anyone else out there experienced this?
Break-in is not an issue. My JC-1's have close to 1,800 hours on them.
I am just puzzled folks, thats all.
audio_girl
audio_girl
This is going to look like a "love fest", but kudo's to you again Bob. Giving credit where credit is due is why you get the respect that you do. Honesty and friendliness are some of your best features : ) Sean
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PS... Crump is too big for me to say anything but nice things about him : )
The Adcom sounded better than the Ayre with the Parasound HCA-3500 power amp ONLY.
With the JC-1's, its no contest...the Ayre wins hands down!
I had to let my friend have the Parasound HCA-3500 power amp back. It was just too fatiguing in the long run. Sure it sounded clear, lively, and transparent, but at the same time it was too bright.
I recently purchased a Pass Labs X-2.5 preamp.
It sounds VERY impressive. Make sure you ditch the stock power cord, however. I borrowed a Signal Cable shielded Magic Digital Reference [High Current] power cord with it and was very impressed with it, especially for the price...A REAL STEAL!
The Pass competes very favorably with the Ayre, believe it or not, and actually sounds better to my ears with digital than the Ayre. The Ayre can be too analytical with digital.
On vinyl however, the Ayre sounds alittle better than the Pass, IMHO.
The difference between the Ayre and Pass on vinyl might simply be a matter of the loading that is being presented to the cartridge via the phono stage. Unless you have identical settings on both preamps for the phono loading, one will sound "different" than the other. Even with identical settings, they can sound different due to parts tolerances and the variances in circuit design.

As to the power cords making such a noticeable difference, there's a lot to be said there. The purer that the power is being fed into the system, the less of an effect the power cords will have. If one is running some type of power line filter / conditioner and power cords are still highly influential in what one hears, that PLC or filter simply isn't doing much of a job.

On top of that, the better the filtration of the power supply within the component, the less of an effect the power cords will have. That's because the component itself is filtering out the hash and trash prior to applying any type of manipulation to the audio signal itself. While hi-fi components are quite costly, the power supply is quite often the first part of the component that is built to a price point. As such, this is why external changes to the AC supply side of each component can make such a drastic change in the audio side of what we hear.

Rather than spending hundreds and potentially thousands of dollars chasing various component / power cord combo's, why not take steps towards cleaning up the AC for all of the components simultaneously, and do so in a manner that is both measurable and highly effective? This is not that hard to achieve and the benefits will remain with your system regardless of the components used.

Once one does this in an appropriate manner, the use of inexpensive but well designed power cords will almost always deliver as good of results as far more costly cords that rely on marketing and snake oil to sound as good as they do. After all, their is nothing "magic" about 60 Hz power delivery, especially when one considers the design confines within a typical power cord / component configuration.

Spending hundreds / thousands of dollars on over-built & under-designed cabling and componentry that doesn't measure up, either audibly or electrically, is one of the greatest banes of audiophilia. All this on top of being a point of great frustration for the end user. Sean
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"Sean" is correct, address your power line issues with a quality conditioner then use an ordinary power cable of sufficient size. And, a preamp doesn't burn much current. Don't waste money on some long-green high zoot cable because it will never provide the benefits of a good power conditioner such as the MGE Topaz 100.

http://www.mgeups.com/products/pdt120/powerc/tpz100/t100.htm

By the way, Pass is top notch. Their new amps included.
Neal,
Is the MGE Topaz 100 a noisy unit - does it whirr or hum or make noise and does it restrict dynamics?
Is this the cheap effective alternative to a power regenerator or expensive audiophile product?
Thanks,
Bill