mjelco, usually cones fit with the wide part under the component and the spikes downward. The Sort Kones, however, are not cones, so they don't follow that rule. The Goldmund cones, which I have, are also a pyramid-type design, but I don't think Nordost's design was intended to drain the vibration out of the component in the same way.
I just listened to the Nutcracker Suite, one by the Kirov, I think. Hadn't heard it in a year or so. Was astounded by how pure it sounds. Never sounded that way before, was always a bit thick in the bass. Not anymore.
I'm using Hurricanes, Nordost Tyr interconnects, Shunyata Andromeda speaker cable, First Sound preamp and Nola Elite speakers right now with an Arcam CD player. Excellent sonics, but more to the point, the lines of instruments -- and instrumental groups -- make more sense. I'm simply hearing the music more clearly and distinctly. In other words, the music just makes more sense, which means I get more "involved" and emotionally connected to it with the Kones.
People could easily get the ceramic kones (as you did), which are only $10 more per cone than the aluminum, but well worth the difference, as far as I can hear! They outperform my Goldmund Cones, Nordost Pulsar and Quasar Points and even the (more expensive) Finite Elemente feet I have.