What were the best and worst rooms at RMAF 2009?


Of course I have my picks, but what are yours?
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IMO GamuT had serious problems with muddy mid-bass. I don't get the buzz about Classic horns(w/Galibier and in several other rooms.)

Cost-no-object best of show was close between Janszen(w/Bryston & Wadia), Dynaudio Consequence(w/Octave & Wadia), The Lotus Group's Granada (Feastrex hybrid), Tidal(w/Bergman & Ypsilon). I heard several other Feastrexes and Lowthers-- none which came close to Granada. I wanted to like YG Anat(w/Solution Audio), but the demo was too quiet for critical evaluation.

In compact floorstanders I was impressed by how well the US/Canadian cottage industry is doing in the $5-$15K range-- some are direct-to-consumer with exceptional performance & value. Stand-outs were Merlin, Daedalus, Sonist, Vaughn, Bamberg, Silverline, Sentient, Eficion, and in small monitors, Green Mountain, Joseph(w/Bel Canto), Ref 3A(w/Naim), and Omega.

I like battery power. The stand-out in this regard was Veloce electronics with Gemme Katana ceramic speakers-- in an altogether different league(and price) from Dodd. Veloce also has the only hybrid Class D amp I can't find fault with.

Just getting familiar with the Hansen sound. The best match was Prince 2 with very expensive Silicon Arts Design electronics.

I heard only one truly awful room at the show and am not telling tales. However, the designer in that room introduced himself by saying that he makes "the best amplifier in the world."
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My Favorite cost-no-object: Focal Grand Utopia/MBL
My Favorite Budget system: Focal+Micromega system at $8500

Audio Note Room: Wonderfully organic! But $51,000 for those little "Harbeth looking" speakers shocked me.. oh my..

The Luxman/DevilSound room was another wonderful sound. I spent a lot of time in that room with a smile.

The Nordost room sounded great also!

Not mentioning the wonderfully delicate sound of the VTL/Avatar room would be a crime. Loved the sound there as well.

The Technics Reel-To-Reel room had groovy lighting..

The ZU/Peachtree room was a lot of fun. Good vibe, happy people, lot's of fun to hang out an just "be".

The GamuT room was very impressive sounding. Lifelike organ reproduction for sure!

One room I disagree on is the Bel Canto room. I found the Bel Canto/Joseph Audio room to be one of the worst sounding rooms for the price. Very lean sounding and bright. Listening to their "pre-packaged" demo tracks sounded nice but when I put in a Fleetwood Mac CD which should have sounded wonderful (It has on many systems) it sounded lean and bright. This room was the most disappointing of the rooms I gave a serious listen to. I was considering a Bel Canto amp for myself until hearing this room. I don't understand how people could praise it.. This room sucked IMO.

I concur on the Vienna Die Muzick. I went to Soundings on Sunday after the show and they were playing for a client. I would have considered selling a kidney on the spot if propositioned to get these things. They are that spectacular! And Rod Tomson (The owner) is one of the nicest guys on the planet.

All and All a blast and fun had by all. A "must go" in 2010 for everyone on this site. Disneyland for adults!!
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I went on Friday and Sunday. Open-to-Close.

I went to the Bel Canto room on Sunday about 1PM. I wanted to hear Bel Canto's "Class D" as Rowland did it so well in their gear.

This was the super large suit at the end of the hall. All Bel Canto gear leading into Josephs. The host was playing most of the tracks from a music server.

Incidentally I was there to buy after the show. (I live just four miles south of the show) By the end of the show I was pretty worn out but I was ready to buy a demo pair of Focals but they had too many surface damages.

I also liked the Ayon CD2 and Ayon Spirit amp but decided I want to stay with Solid State gear.

The Zu's grabbed at me as very "live" sounding for cheap money. What was everyone's take on the ZU's? They got a good review this month also. (As if you can put any trust in the reviewers from that magazine)