Why do most phono preamps lack XLR input even thought cartridges are naturally balanced?


Seems to me XLR input is the way to go for phono preamps.  Pros and cons for XLR vs RCA phono input?
dracule1
Roberttdid,  I would compare single ended phono preamp input to, for instance, oscilloscope.  When you short oscilloscope probe (tip to probe GND) there will be still some noise on the screen - bigger if you touch shorted inputs (in-spite of you "floating").  It is because for electrical noise one of the wires (GND) provides lower resistance path to GND.  Current thru this ground wire causes tiny voltage drop, seen by the input as input voltage (input is referenced to BNC GND and not to end of the cable GND).    Of course scope can be used in two channel differential mode but it suggests that second input is required.  Amp could be truly balanced, but it is overkill, IMHO - costs money and introduces more components in the signal path.  Remaining choice is likely between differential amp and transformer.  Transformer, in spite of some distortions at low frequencies (most likely inaudible) is a clean simple solution.  What do you think?

I had TT long time ago and always had problems with low frequency hum (single ended phono stage).

Stingreen - you stated that your Ayre phono is dead quiet.  It's likely because of balanced input.  XLR cable wires are usually twisted - a very strong defense against electrical noise.  Do you know by any chance what is inside (transformer, differential amp etc.)?

I do not see anyone above has referred to the 6dB noise floor reduction (theoretical at least) offered by running true balanced.  This is particularly beneficial on phono as cartridge noise floor is not inherently low.

I have run fully balanced for nearly 30 years with quite a few different pick-up and amp components.  I would never go back to the dark side.

Hmm. Did I just open Pandoras box? Btw, some phono preamp designers prefer to refer to cartridges as a “floating differential” rather than balanced. 
@clearthinker, contrary to your statement of 6dB reduction with true balanced which I’m not sure applies to cartridges, the designer of BAT phono has claimed that RCA offer 6dB reduction in noise over XLR with cartridges. Don’t kill the messenger.
kijanki,

When you short a oscilloscope and probe to ground, you are creating a loop antenna and creating a differential signal which is not to say that common mode noise and/or common mode voltages are not a problem in measurement. That is why Picoscope makes a differential input scope, and Tek and Lecroy sell high voltage differential probes for about $2,000/each (or more). While you are "floating" you are also a big capacitor to ground which creates a path for common mode signals. Also remember that most oscilloscopes probe grounds are also connected to chassis grounds. Floating oscilloscope inputs (battery powered or otherwise), can offer most of the benefits of differential inputs for many measurements (and tend to be much quieter).

And are you assuming the noise was common mode? Are you sure it was not differential mode?

I had TT long time ago and always had problems with low frequency hum (single ended phono stage).

Current thru this ground wire causes tiny voltage drop, seen by the input as input voltage (input is referenced to BNC GND and not to end of the cable GND).

But again, we are talking a cartridge and absent the shielding and other metal structure (and antenna effects isolated by the cartridge itself), it is a loop. Absent the shield/structure capacitance to ground, there is no other current path, whatever current flows in one wire must flow in the other, and hence whatever drop you have on one wire is cancelled by the other.

Transformers are already used for MC coils, so we know they work.