Who's Your Favorite Bass Players; Why?


I like Paul Chambers for his groove and arco. Sam Jones for his Time. Rufus Reid becaues he taught me. Jaco because of the absolute passion. Christian McBride because he's the MAN righ now--and he's the director of the Brubeck Institute at the University of the Pacific, which is my Alma Mater; Ron Carter because of everything he's recorded; George Maraz because of his soul; Richard Davis because of his intensiity; Reggie Workman due to his authenticity; Lonnie Plaxico because of his work with he Jazz Messengers; Scott LaFaro--BECAUSE HE'S THE BEST! (Eddie Gomez and Chuck Isreal are cool, too!). Who're you 'un?
crazy4blues

Showing 2 responses by duanegoosen

Gobs of great bassist out there. Crazy 4 beefed up the list pretty good w/ the last post, Here are a few more:
Jannik Top- Zeul vibrato pioneer (and king)/Magma
Keith Macksoud-Present/5uu's (sorta takes up where Top left off)
Pad Conca-Blast/Otolithen
Fred Hopkins-Air/Craig Harris/Karl Berger... made lots of real good rubbery acoustic bass sounds.
Calvin Hill-Max Roach (Pictures in a Frame is a good start)
Mark Helias-Huge resume, his solo discs are all good
Mario Pavone-Thomas Chapin/also a great composer, also lots of excellent solo releases.
Miroslav Vitous- Weather Report...The discs w/ Rypdal & Dejohnette are great.
Stomu Takeshi-Another big resume, Erik Friedlander Topaz is a good one.
Fred Baker-Phil Miller/Pip Pyle (was incredible at the prog festival in Seattle last Aug.)
Mark Dresser-Huge high quality output, try Sakoto Fuji, Bell the Cat.
Glen Moore-Oregon/his Nude Bass Descending disc is one of his best.
Stuart Leibig-Nels Cline/Bone Structure, try Bone Structure or his Pomegranite disc.
Dave Willey-Thinking Plague/Hamster Theatre, (super talented hard working composer & multi instrumentalist)
Alphonso Johnson-Weather Report/Allan Holdsworth (King Crimson blew it by not picking him up when he auditioned),try his 1st two solo discs or A.H. Velvet Darkness.
Hellmut Hattler- A big part of what made KRAAN so damn great, try Wiederhoren or Live 74 (or go to Nearfest on 6/29)
Jamaladeen Tacuma-Ornette Coleman, some of the solo discs are spotty, Mirakle w/ Derek Bailey is good.
Melvin Gibbs-Ronald Shannon Jackson/Rollins Band/Harriet Tubman (H.T. Prototype is a smoker).
Fima Ephron-Lost Tribe/Dave Fiuczynski (his solo disc aint' bad either)
Mick Karn-Japan/Mark Isham, the Polytown disc is my favorite thing he's done
Eberhard Weber-This guy should have been listed 5 times already, Following Morning and Colors of Chloe are essential.
Hugh Hopper-Soft Machine/StomuYamashta, cool fuzz bass pioneer
Kato Hideki- He's on tons of recordings, but Bass Army really kicks arse.
Chihiro S.-Lacrymosa Kind of like the best Pohjola but a little darker and intricate.
Kent Kessler-Vandermark 5/NRG Ensemble (NRG Calling All Mothers is a good starter)
Skuli Sverrison-Holdsworth/Mo Boma/Jim Black (try Jim Black Alasnoaxis)
Gerald Veasley (I think alot of his stuff is generic swill, but what he does on Odean Pope's Out For a Walk is a work of hurculean glandular genius.
Wilbo Wright-UI (get the Two Sided Sharpie for big deluxe slabs of e.bass)
Jean Jaques Avenel-Steve Lacy (the Lacy/Roswell Rudd, Monk's Dream is a helluva' good score)
Rob Nieske (his 3 disc is packed w/ carefully arranged improvised/composed mid sized ensemble works that really hold up)
Sasaki Hisashi-Ruins, seeing this guy live dwarfs most live bass player experiences, HUGE vocabulary and he has his rig down cold.
Billy Swann-Muffins, another twisted fuzz bass king.
Kermit Driscoll-Bill Frisell/New and Used/Mahavishnu Project, (can't go wrong w/ New and Used, if yer' into challenging, interesting and obviously for the most part premeditated stuff.
Trevor Dunn-Mr. Bungle/Jettison Slinky/Zorn, his Trio Convulsant disc is an amazing volcanic ripper (kind of like an Ornette version of Bozzio's Blacklight Syndrome).
Must agree that Manring's Att. Deficit stuff is groovin' as #@^%$***!!! Unfortunately some of his other stuff hits the Kenny G gag reflex. Attention Deficit is as good as or better than any project connected w/these 3 guys. Life is short Att. Deficit never does gigs... it's a crime! Anyone who digs challenging head warping instrumental rock should be nagging the heck out of Manring, Skolnick and Alexander to get out and play or at least record some more. Same holds true for Massacre (Frith/Laswell/Hayward). Both units can crunch through the skull and sear a deep brand into the brain.