Hodu/Howard,
I disagree on the Arcade Fire. Certainly "Keep the Car Running" follows the same chord progression as Eddie and the Cruiser's "On the Dark Side." But the songs are substantially different in almost every other way (as I'm sure almost anyone's ears can detect upon a cursory listening).
Further, there are approximately 8 bajillion-zillion songs that follow similar chord progressions as predecessors which are still accepted as unique.
http://www.youtube.com/watch?v=5pidokakU4I&feature=player_embedded
http://www.youtube.com/watch?v=F4ALd-Top2A
I could link more videos showing how multitudes of songs from all different genres are at their core the same progression, but in their composition ultimately different. It is musical illiteracy to accuse songs of forgery because they use the same progression/meter. If that is the case, then I'm afraid every song made after the 1900s or maybe even earlier (apart from extremely experimental dissonant stuff, although that's probably all used up too) is a forgery! Heck, much of Led Zeppelin and the Rolling Stones is cribbed from the Blues.
I suppose it gets down to how we define what makes a song a song and from there what makes one unique.
No offense intended, Howard. I hope I made my case without crossing any lines.
-Brian
I disagree on the Arcade Fire. Certainly "Keep the Car Running" follows the same chord progression as Eddie and the Cruiser's "On the Dark Side." But the songs are substantially different in almost every other way (as I'm sure almost anyone's ears can detect upon a cursory listening).
Further, there are approximately 8 bajillion-zillion songs that follow similar chord progressions as predecessors which are still accepted as unique.
http://www.youtube.com/watch?v=5pidokakU4I&feature=player_embedded
http://www.youtube.com/watch?v=F4ALd-Top2A
I could link more videos showing how multitudes of songs from all different genres are at their core the same progression, but in their composition ultimately different. It is musical illiteracy to accuse songs of forgery because they use the same progression/meter. If that is the case, then I'm afraid every song made after the 1900s or maybe even earlier (apart from extremely experimental dissonant stuff, although that's probably all used up too) is a forgery! Heck, much of Led Zeppelin and the Rolling Stones is cribbed from the Blues.
I suppose it gets down to how we define what makes a song a song and from there what makes one unique.
No offense intended, Howard. I hope I made my case without crossing any lines.
-Brian