What is the chain of importance in analog system ?


i seem to hear different opinions on this matter.
An old audiophile chap told me that the most important is the cart, arm, table, phono stage (in that order).
On the other hand, some analog guru said, that the most important is the phono stage, then the table, arm, cart.
One friend, even said, all is important!
I tend to agree that all is important but we don't have deep pockets to afford an all out assault on a tt system.
Perhaps some people here can share their views.
thanks in advance.
nolitan

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Hi Nolitan,
yes, this is quite good. Personally I would save some more money and would go for a used quality cartridge. Expensive Cartridges are in general overrated. In a top System you would be amazed how good a "cheap" Lyra Dorian, Zyx 100FS (or others) can sound.
Most important unit is the Phono Stage.

By far.

Followed by
-Turntable
-Tonearm
-Cable
-Cartridge
Well, the answers will be always different, because everyone has made his own experiences. Let's say, everyone of us started with a budget System, quite nice and the "upgrade" started. Upgrade means, more money--> better result.
After a while everyone thinks (not everyone, but most), "hey, I invested money, I got better results, so the good units have to be expensive...."
(or some think about ---> what's the background...why? What's the ability from the unit and what it can/should do (better..)
or others rely on the "opinion" of the "Competent" (writers, Designers, friends etc.)

But when these are all so clever, why there still are so huge differences in Playback?
Let's think about:
Phonostage
This very small signal has to be amplified, high gain, no distortion, Soundstage, depth, Body etc., the Illusion of being there has to be created..
Can everyone do that?
No, this is really difficult, only a few have superior knowledge, the main reason why there are so many average Phonostages are out there. Price is no guarantee for top quality. I use a Vendetta, made 1990 and this one is better than everything I listened to( true tone, depth, soundstage, speed, focus, Image...) in the past 10 years.
Turntable
Difficult to make? No. There are endless units available...
Everyone does it, parts are Standard, most invest everything they have in the Look and weight. "This is the sign for a real serious machine" :-)
Some Marketing, some Hype, good profit for Dealers and it is done.
How about suspension? Internal, External? Bearing quality? Different materials in the Platter? Damped Armboards?
Simple answer: Too complicated, too expensive, no Knowledge. the main reason why most TT's are more or less at the same level , 3000$ or 30000S
Arm
any Designs out there which outperform AT ONCE a Fr-64s/FR-66s or a Phantom (the only obe which is clever continued in its design)?
Piece of wood on strings for 7k? or a piece made from Kevlar?....
Easy choice, good Arms are available for 2k used
Cartridge
What is the difference between 2000$ and 8000$
ok, no war, but here you can really burn money.
The Designer has the same time to make it, he can waste his time with cheap ones or with better ones (which are normally only better in selection)
or
you buy a stone body, here there works needs a little bit longer...

Arm cable
has to be shielded and should be able to carry low level signals without damping or distortion.
Available for 400$ and for 4000$
for those who think that the only way to High End is High Income :-)

Now,
what works?
Expensive, but inferior Phonostage with a expensive but average Design multi Motor Turntable and a 8k cartridge which will be thrown away when the owner sends it back for "rebuild"
or
expensive, but really clever made Phonostage with a regular priced clever made Turntable (4k) and a regular, but good designed Tonearm (1.5k) and a second hand cartridge for 1.5k)

I vote for the last
IMHO :-)
I forgot:
A Record Cleaning Machine.
A good Record Cleaning Machine :-)

Pretty high in the Rating then....