To my own ears of having always been around, for instance, REEL TO REEL tape; IMHO: 24-bit and DSD remastered cds come A LOT closer to sounding like an original 1960s copy of a quarter-track, 7 1/2ips vintage commercial tape (in terms of: capturing soundstage width as well as bass response, especially) than vinyl ever could. The characteristic upper bass/lower-mid bloat peakiness OF VINYL sounding like a phase-distorted bathtub affect is the thing I, personally, have never been able to stand about "vinyl sound". Of course, someone restricting the debate to records vs.: (badly mastered) 16-bit cds, computer audio, streaming, mp3's, etc. won't recognize that and therefore think vinyl (beholden, by default, to being a "component grade" audio medium) is the top-of-the-heap....BUT: it's a disingenious argument when the buyer DOESN'T know what was considered above LP playback when there was no digital (and, too: when records were a mass-market $5 item and not a $40-up boutique novelty).
The wild-eyed claims of vinyl's frequency abilities also prey-upon the uninformed (and: always seem to be spoken by snake-oil hucksters selling $20k turntables!). Truth is: THOSE specs came from JVC's parameters for reproducing Discrete Quadraphonic records in the 70s; requiring a Shibata stylus and an outboard demodulator to "unscramble" a 30khz subcarrier pilot signal containing rear channel matrixed information (which, as a sidebar: if anyone ever experimented with such arcane gear for fun, even a quality rtr deck was able to register the quad beacon "birdie" while recording at 15ips....even the single motor Panasonic/Technics model RS-736 rtr I had from my father in 1972).
If one is NOT talking about the obsolete tech of quadraphonically-encoded records neccessitatingly played back with a Shibata stylus, then all of vinyl's far-flung frequency specs are totally irrelevant and a moot point. Vinyl, for one, is THE WORST for Classic Rock in STEREO. Much too hollowed-out. The 1969 Ampex 3 3/4ips reel of Led Zepp II, for example, is the next best vintage source to the Ludwig first pressing(!).
The wild-eyed claims of vinyl's frequency abilities also prey-upon the uninformed (and: always seem to be spoken by snake-oil hucksters selling $20k turntables!). Truth is: THOSE specs came from JVC's parameters for reproducing Discrete Quadraphonic records in the 70s; requiring a Shibata stylus and an outboard demodulator to "unscramble" a 30khz subcarrier pilot signal containing rear channel matrixed information (which, as a sidebar: if anyone ever experimented with such arcane gear for fun, even a quality rtr deck was able to register the quad beacon "birdie" while recording at 15ips....even the single motor Panasonic/Technics model RS-736 rtr I had from my father in 1972).
If one is NOT talking about the obsolete tech of quadraphonically-encoded records neccessitatingly played back with a Shibata stylus, then all of vinyl's far-flung frequency specs are totally irrelevant and a moot point. Vinyl, for one, is THE WORST for Classic Rock in STEREO. Much too hollowed-out. The 1969 Ampex 3 3/4ips reel of Led Zepp II, for example, is the next best vintage source to the Ludwig first pressing(!).