Vienna Acoustics vs Revel Studios?


Three years ago, I invested in a system that has given me many hours of listening pleasure. I have Vienna Acoustics Beethoven speakers, a SimAudio I-5 integrated, and an Ultech CD player. At that time, that was about as much as my budget would allow, and I have never regretted buying any part of this system. The only "problem" I am having is that the system lacks "rock out' power. It is perfect for moderate listening, but will occasionally clip or become slightly shrill or unfocused when "cranked."

So now, of course, I'm pondering all kinds of potential remedies. I could simply use the I-5 as a pre-amp and add something like a Bryston 7B ST for extra volume. I could sell the I-5 and go for separates, maybe even try out some tubes, such as the Sonic Frontiers Power 3 set-up (although I have heard that tubes are not necessarily a good match for the 'warm' Vienna speakers). Or I could sell the system and try out the Revel Studios (I think the Salons are probably too big for my living room) with some combination of the above to drive them.

I am not a true audiophile, in the sense that I know an awful lot about this stuff, but I do know that I enjoy good music played on a good system. I don't mind paying for top notch equipment, within reason, but I don't want to fork over 10-12K when a modest adjustment in my current set-up would be almost as good.

So, I appeal to all of you true audiphiles for advice. Please show me the way. Would the Revels be a big step up from the Viennas? Would separates be much better than adding an amp, while using the I-5 as a pre-amp? Any suggestions on possible matches?

I realize the answers are, to some degree, subjective. But I am interested in your feedback and experiences.

Many thanks.
chriscox9674

Showing 3 responses by sc53

I disagree w/the above post. The Beethovens are fantastic speakers, but they need and love power. I did not like them w/a 100-watt tube amp (ARC VT100 Mk III), but loved them w/an Ayre V-3 (available used on this site for about $1600, usually). I would upgrade the amp and stick w/the speakers. They will get better and better the better the amplification is.
Hello, chiming in again, I listened to the Mahlers extensively when deciding whether to purchase them or the Beethovens, and the Mahlers were placed on the long side of an average sized rectangle-shaped room, room no bigger than the average living room in a non-mansion. There was no bass bloat or boominess, just not as focused and detailed as I found the Beethovens' bass to be. The Mahlers were being driven by big Levinson monoblocks--333's? the newer ones, anyway. The Beethovens were being shown in a much larger room, probably twice as big, w/Ayre amplification. Ayre V-3, at 100 watts per channel. Again, no boominess or bloat.
I concluded that the Mahlers needed good, big power. And keep them away from the side walls.
Waltersalas, are you any relation to Walter Salas-Humara, a fantastic singer-songwriter involved with the Silos and the Setters? If so, I worship you. In any event, about your EMC-1 idea, I own the EMC-1, without the upgrade, and think it sounds absolutely fantastic. FWIW, I used this CDP with the Beethovens and the Ayre V-3 for a year before I decided to downsize the Beethovens to ProAc monitors. Absolutely first-rate sound, if you can pick up the EMC-1 w/the upgrade for under $3000, you've got yourself a great bargain. I paid $2800 for the EMC-1 one year ago, but I've never regretted it. I think I will always keep this CDP no matter where the rest of my system goes. You will love it with the Beethovens, and if you see a Capitole later, get both! Now, that's the way I like to punt!! Go for the punt and the field goal at the same time.
Clueless, I'm laughing again at everything you posted this week, esp. the Mark Levinson chapter headings. You really had me going there. I believed those were real! The whole book idea, and the NYT fluff article, makes those chapter titles believable.
And Brulee, thanks for the kind words of confidence.