Time to choose: Baerwald, Lofgren, Stevenson ?


I’ve managed Dr.Feickert Analog Protractor for a decent price (build quality is superb, such a great tool).

Time to play with Baerwald, Lofgren, Stevenson alignments on my Luxman PD444.
Need advice from experienced used of the following arms:
Lustre GST 801
Victor UA-7045
Luxman TA-1
Reed 3P "12
Schick "12

Baerwald, Lofgren, Stevenson ? What do you like the most for these arms?
Manufacturers recommend Baerwald mostly. 

Dedicated "7 inch vinyl playback deserve Stevenson alternative, maybe?
Since it's a smaller format than normal "12 or "10 inch vinyl, it's like playin the last track's according to position of grooves on '7 inch (45 rpm) singles. RCA invented this format, i wonder which alignment did they used for radio broadcast studios.   

Thanks

128x128chakster

Showing 1 response by tablejockey

Threads on alignment always catch my attention. I have a generic setup-VPI Classic/AT ART9-tube phono stage. I’ve tried the VPI jig and Feikert,which has the 3 alignments.

I can’t hear a difference in ANY of them. I settled on Baerwald which seems to be the best "compromise" on paper. The VPI jig puts the cart somewhere between the Baerwald & Stevenson if I remember? Hindsight, I wasted the cash on the Feikert jig. I could be happy just using the VPI jig, and call it a day.Azimuth seems to be the only adjustment I can perceive when futzing with the cartridge.

If I owned a SERIOUS rig $$$$, I certainly would obsess in finding which alignment provides the best sonics. Second thought, if I had that kind of dough, I would PAY a "professional"

Astro58go-your VPI  story has me shaking my head with disappointment. Shame on BOTH of the companies involved. I have had positive experiences with the two. QC should be UNCOMPRIMISED regardless if one purchases an entry level product, or the very best$$!!!!