The State of Jazz


I was recently listening to "The Best of Diana Krall" LP. It is an amazing album. But later, I reflected on the fact that she sang almost entirely 'standards,' which means the songs are all at least 50 years old. Then, I thought, why hasn't the Jazz Community produced any more recent songs that have become standards. Then I thought: it is most likely, that the same standards (i.e., basin street blues; willow weep for me, etc.) will be sung for the next 50 years--and I wondered, are we producing any songs today that will become standards. I don't think so. Bu, why not?
elegal

Showing 1 response by hcalland

I love Sarah Vaughan and Billie Holidays' approach to jazz. In terms of what it means to be a jazz singer, they along with Ella, set the standard a long time ago. No one in our life time will be able to measure up to that.

I believe Diana Krall is doing the best she can with what she has. But the times are different, the material is different, and her audience has a different expectation than those of the old masters.

Really there are only a few masters left from the heyday of jazz. I felt that when Miles died in 1991, and more recently when Freddie died. The jazz of today is different. Wynton won't or can't carry the cup. But young cats like Roy Hargrove and Nick Payton are incorporating hip hop into there recordings lately. Hip hop and new music like it is our Standard Tunes today.

I think we have to embrace and believe what Miles was trying to tell us years ago. And that was jazz has gotta change with the times and the living experience of the people to stay viable. Miles remade himself and his music so many times it's scary. Then on top of that, his later stuff, which we all silently rejected, makes sense today. Listen to Water Babies, Live Evil, or Bitches Brew and see if you don't agree.

The problem with the State of Jazz today is everyone is trying to go back, and sounding like someone or something that's already been done. The young cats need to find their own voice. . . . Listen to Roy Hargrove, Antonio Hart and young musician like them, and you will see where jazz is going.

Jazz was about something else back then, that Diana Krall and poor Chris Botti do not understand. And I have heard them both acknowledge as much. I believe they know their limitations, and just accept what's given to them. I believe they love the music, but....