SUT Advice - Which Ones Are The Best?


I am currently in research mode.  I want to add a SUT to my set-up but I am finding that there is not a lot of information from my local audio shop resources.  It seems that SUTs are outliers in the high end audio world.  
That said, I have read several articles in magazines and the web touting their merits.
Of all the brands out there I am most familiar with Bob's Devices.  Art Dudley wrote many good things about his experiences with Bob's SUTs, and I happen to trust Art (God rest his soul), but I'm wondering if there are others I should consider as well.  Please post your recommendations if you have experience with any SUTs, regardless of brand.
As for my set-up, I have a SME 20/2 turntable, Tri-Planer tone arm, Lyra Kleos cartridge, and KTE LCR Mk5 Phono preamp.  I do not know if I will always use a Kleos cartridge but I do think I will always buy low output MC carts.  I hope to buy something that will work with low output MCs but have some adjustability just in case.
I'd love to hear your recommendations.
Thanks!
Peter
128x128snackeyp
It is sometimes said that an SUT should be matched to the cartridge (or the other way around).
The reason typically given is the need to have an appropriate amount of SUT gain to bring the cartridge's output up to a level that is comfortable for the chosen phono stage.

However, there is another less-known but equally important reason, which is that the low frequency bandwidth and phase response of the SUT depend on both the inductance of the SUT's primary windings, and the net impedance that the primary windings will see, according to the following formula:
f = Z/(2*Pi*L)
where f is the frequency where the amplitude is 3dB down compared to higher frequencies,
L (in henries) is the inductance of the SUT's primary windings
Z (in ohms) is the net impedance

The inductance of the SUT's primary windings should be measured with the secondary windings left open. (Note that a completed SUT may contain internal load resistors across the secondary windings, therefore it is risky to assume that simply because the SUT is not connected to a phono stage, the secondary windings are truly open.)

"Net impedance" in this particular situation means the phono cartridge's source (self) impedance, in parallel with the impedance that is reflected back from the SUT's secondary windings (when connected to a suitable phono stage). Usually the net impedance will be dominated by the cartridge's source impedance.

The mathematical formula tells us that in order to improve the low-frequency capabilities our options are to lower the source impedance (choose a cartridge with less self-impedance), increase the primary inductance of the SUT (increase the number of transformer windings, increase the dimensions of the transformer core, or use a higher-permeability material for the transformer core).}

In a nutshell, the larger the self-impedance of a cartridge, the more primary inductance will be required from the transformer in order to keep the same low-frequency extension or phase response.

Conversely, if the cartridge has small self-impedance, less primary inductance will be needed for sufficient low-frequency extension or phase response.

Although the target frequency for "f" in the formula above could conceivably be set to the lowest frequency expected to be reproduced, if good phase linearity is likewise a goal, this will require a considerably lower target frequency.

Caveat: although good low-frequency performance from a transformer requires sufficient primary inductance, since high inductance (in the form of more turns, or more wire length per turn, or higher-permeability core materials) tends to pose problems for high-frequency performance, single-mindedly selecting a transformer with as much primary inductance as possible, isn't recommended either.

Summary: When choosing an SUT, be sure that the gain is appropriate for the output level your phono cartridge.
Also be sure that the SUT's primary inductance is suitable for the coil impedance of your cartridge.
When connecting a SUT and phono stage together, try to choose as low-capacitance cable as possible, using as short lengths as possible.
Generally SUTs work better with low-impedance cartridges.
@jcarr thanks for the detailed response. When you say low impedance what number are you looking for?
I forgot to add that I have a fifth SUT on hand: a pair of Sony ST10’s that are the smallest I’ve ever seen. They are square cross-section, about two inches long, an RCA plug at each end - one male and one female. They are each a single channel and plug directly into a phono stage’s RCA jacks. Amplification factor of 10X. No ground wires. Rather neat! Bought from an eBay seller for $175.
One of the nice things about SUT's is that they are passive devices and hardly subject to aging under normal use. And the 'technology' hasn't changed much, if at all. This means you can buy used without hardly any risk at all.

There are two 'big' choices you have to make:
- copper or silver wire for the transformers. Silver is obviously more expensive, but not necessarily better (very dependent on the cartridge)
- a dedicated unit for a specific impedance range or one with a selector switch to accomodate a wider variety of cartridges (usually choice between low impedance (typically 3-6 ohm) and high impedance (20-30). People usually prefer dedicated units, because the selectability involves extra switching.

There are many great ones out there, but a good choice for copper wired SUT is Entré ET-200 for 2-10 ohms (3,5 ohms ideal) and 30dB gain, designed by Matsudaira of My Sonic Lab. This is not a rare unit and regularly for sale around $600-700. The current My Sonic Lab SUT will not be much different except for the price.
A good choice for silver wired SUT is the Ortofon series for their '000' series MC's, the T-2000, 3000, 5000 and 7500. They all have the same specs (impedance range 3-6 ohms, 30dB gain), except T-2000 which has even higher gain to accomodate the ultra low output MC-2000. These nits can be found between $1000-1500 and are definitely worth it when compared to the 'adventurous' pricing of silver wired SUT's made today.

I got my 1st MC cartridge not long ago, and after research and advice here, went with this one:

https://www.ebay.com/itm/164633673789?hash=item2654ee803d:g:WLUAAOSwcnVf-M6S

they are getting expensive, and harder to find

a. PASS lets you use it for a MM or MC High Output thru it, bypassing the transformer

b. 3 inputs, front selectable, then off to a single MM Input.

c. 4 optional x-factors/impedance loads, for my first, and future MC cartridges
(front switchable, not rear or internal dip switch changes).
...........................................................

This model, FRT-5, has 3 inputs, PASS, and it’s Transformer is designed for MC cartridges in a range of 3 to 10 ohms

https://www.ebay.com/itm/334079978776?hash=item4dc8b7ed18:g:iNcAAOSwPNpg8nR7

...................................

Entre ET-100; 3 inputs, PASS, 3 Optional Loads, front switch

https://www.ebay.com/itm/393529405956?_trkparms=ispr%3D1&hash=item5ba02e3204:g:XHcAAOSwHmlhJMuD&...

..................................

Denon, 2 inputs, PASS, 2 optional loads

https://www.ebay.com/itm/393583791431?hash=item5ba36c0d47:g:jrAAAOSwug5hR7ZR